A heartfelt tale of embracing life after a devastating rape.
A rape survivor makes peace with her past and finds happiness with her family’s support.
Martin-Yates (Life Is but a Four-Leaf Clover, 2016) opens her latest novel in November 1974, as 15-year-old Karen Bowen sneaks away from Thanksgiving with her family, which the narrator calls “much like the average black family that originates from Memphis, Tennessee.” On the way to her friend Gloria’s house, Karen is dragged into an abandoned building by Paul White, the older boy she has a crush on, and raped. She tells no one about the rape until she is seven months pregnant but eventually finds support from her mother, Brenda, and her grandmother Pearl. Karen gives birth to a daughter she names Angel, but for many years her anger over the rape keeps her from being a loving mother. Several years later, Karen interrupts the rape of Barbara Jones and accidentally kills the attacker. She is able to keep her role in the death a secret, and the emotional fallout from the event allows her to finally bond with Angel. Karen and Barbara later become friends. Soon Karen falls in love with Tate, the detective investigating Barbara’s case. Meanwhile, the adolescent Angel begins to search for her father and meets Paul, now a deacon at a nearby church. Martin-Yates does an excellent job of presenting Karen’s emotional transformation, from the teenage years defined by the rape through adulthood, when she gradually gains maturity, independence, and comfort. Paul, “a good man who had made a horrible mistake,” also experiences growth, but in this tale about forgiveness, readers will not see him face major consequences. The writing is uneven, with awkward phrasing (“She fell on her couch, mimicking a schoolgirl having her first crush”) and overused words (Several sentences begin with “Instantly”). Yet on the whole, the author delivers a satisfying story of redemption.
A heartfelt tale of embracing life after a devastating rape.Pub Date: April 19, 2018
ISBN: 978-0-692-09675-8
Page Count: 290
Publisher: Angels In The Rye
Review Posted Online: April 6, 2019
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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