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BEST FRIENDS

Despite good intentions, more about the idea of a friendship than the reality.

An energetic, if not always persuasive, attempt to detail why a friendship made in college between two women endures despite family scandals, different lifestyles, and the men they marry and divorce.

Narrator Clare Man meets Sally Rose in 1973 at Oberlin College, where the two freshmen are assigned to share a room. Wealthy, Jewish Sally comes from California. Protestant, middle-class Clare is a native of Ohio. Sally is devoted to her family, especially father Sid, a publisher, who calls every day. Clare is impatient with her family, especially with her mother, a teacher. Though Clare is a free spirit, Sally more reserved and cautious, the two soon become close friends. Clare’s summer visit to the Rose home further cements the attachment; soon Sid, mother Esther, and younger brother Ben become as much her family as Sally’s. But there are no perfect families, not even in exciting, warm California. As Clare becomes a doctor, marries and divorces twice, gives birth to a daughter, and works with AIDS patients, the Rose family falls apart. Sally, now a lawyer, marries handsome Flavio, only to find him seducing Ben one day in the pool house. Ben then becomes a heroin addict; Esther commits suicide; and Sally tries to help her brother by buying drugs for him. Eventually, when Clare learns that Sid publishes brutally graphic pornography and may also be implicated in Ben’s recent death, she nearly stops seeing Sally. But true friendship survives all kinds of blows (there are more to come, too), and the women enter middle age as close as ever. Newcomer Moody, a Ohio-based physician, is at her best evoking the period, from the last days of college protests to the onset of AIDS. She is less successful in showing just why Sally was so important to Clare.

Despite good intentions, more about the idea of a friendship than the reality.

Pub Date: June 4, 2001

ISBN: 1-57322-188-0

Page Count: 448

Publisher: Riverhead

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 15, 2001

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

Awards & Accolades

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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