A provocative, intensely moving novel of ideas and opposing philosophies presented by deeply flawed, deeply human characters.

THE OFFICE OF DESIRE

A bracingly dark comedy from physician Moody (Best Friends, 2001) about the unraveling of an Ohio medical office that seems a haven for its employees until sex and religion infect the practice.

Hap Markowitz, the brains, and William Strub, the personality, carry on a successful internal medicine partnership supported by a small staff of three. Caroline the receptionist, who narrates the story along with Hap, doesn’t let her prosthetic leg keep her from a string of lusty lovers drawn to her sunny warmth. Alice the nurse is younger than Caroline, an ambitious single mother who dotes over her brilliant teenage son. Brice the money manager lives with his overbearing mother. The three familiar if dissimilar workplace “types” have built a three-way friendship that keeps the office running smoothly and happily until William, recently divorced, finds himself drawn to Alice. Their ensuing affair and marriage disrupt the office balance. Alice stops hanging out with Caroline and Brice. Caroline and Brice’s friendship is ruined after she sleeps with him out of misguided sympathy, although she knows he is not attracted to women. As marital bliss with Alice sours, William turns to internet pornography, then becomes a Christian zealot. At first, Alice resists but soon she is at least as fervent as William. Preoccupied by his wife’s sudden, fast spreading cancer and subsequent death, Hap is too distracted to resist when William and Alice start selling Christian vitamins in the front office. And only Caroline notices when Brice becomes dangerously obsessed with Alice’s son Jesse, who bravely acknowledges that he is gay to his newly fundamentalist parents. Long before the inevitable malpractice case connected to the vitamins, what began as light satire has turned into genuine tragedy. Even as her characters make disastrous mistakes, Moody, a genuinely original voice, takes an unsentimental approach that never denies life’s possibilities.

A provocative, intensely moving novel of ideas and opposing philosophies presented by deeply flawed, deeply human characters.

Pub Date: Aug. 2, 2007

ISBN: 978-1-59448-949-5

Page Count: 304

Publisher: Riverhead

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 1, 2007

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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