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THE BITCH POSSE

A novel tough talking, unlovely, and screaming for attention.

A manic first novel follows a desperate clutch of Illinois high-school girls whose friendship makes up for the depressing facts of their middle-class lives.

In alternating voices, O’Connor presents three young women whose ill-fated attempts to take some control over their troubled senior year continue to have profound repercussions 15 years later. At Holland High in 1988, Cherry uses the example of her coke-snorting single mother to get as wasted as possible and skip school; former homecoming queen Amy harbors deep resentment of her parents for favoring her retarded older sister, Callie, and keeping her institutionalized; and Rennie, an honor student, chooses her route to ruin by losing her virginity to her lecherous drama teacher. All of them find release in cutting themselves with knives. In their friendship with each other, called the Bitch Posse, they swear loyalty forever and promise “to put no friends or lovers before one another,” which, in the end, proves unsustainable. The treachery of men does intrude, in the form of Cherry’s abusive boyfriend and Rennie’s manipulative married lover, Mr. Schafer. To play as raunchy as the boys seems to be what the three are after (“You have to hurt if you want to feel anything at all”), but “Let’s go get wasted” is the sad refrain. Years later, Cherry is stuck in a mental institution, Amy suffers a miscarriage and a soured marriage in Upper Michigan, while Rennie, now a published novelist and California high-school teacher, finds herself addicted to seducing the young men in her charge. As a newcomer, O’Connor makes an aggressive stance here against so-called chick-lit—“and all forms of lying,” she notes. The result is more in-your-face, reality women’s fiction, but still formulaic in its way, with plenty of clitoral sex, women’s friendships that outweigh their relationships with men, bad choices and self-destructive behavior. The writing, in both cases, remains a shameful afterthought.

A novel tough talking, unlovely, and screaming for attention.

Pub Date: May 1, 2005

ISBN: 0-312-33392-7

Page Count: 352

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2005

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE RUMOR

Once again, Hilderbrand displays her gift for making us care most about her least likable characters.

Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.

Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”

Once again, Hilderbrand displays her gift for making us care most about her least likable characters.

Pub Date: June 16, 2015

ISBN: 978-0-316-33452-5

Page Count: 384

Publisher: Little, Brown

Review Posted Online: May 20, 2015

Kirkus Reviews Issue: June 1, 2015

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