by Martha Sears West ‧ RELEASE DATE: N/A
Despite its signature sweetness, this latest chronicle of Hetty’s adventures remains more soap operatic than genuinely...
In this fifth installment of a series, a radio star becomes beleaguered by attempts to undermine her marriage.
Now married to Morgan Morganthal, Hetty divides her time between taking care of her young daughter, Pippa, and hosting her own radio show. Katrinka Wallace, also married and resentful as ever that Morgan chose Hetty over her, continues to roguishly find ways to sabotage their otherwise blissfully happy union. Hetty invites Katrinka to be a guest on her show, and she predictably uses the opportunity to publicly mortify her. Later, Hetty turns to her for advice regarding another upcoming guest, and Katrinka feeds her destructive counsel. Meanwhile, Katrinka comes under public scrutiny for animal testing done by the beauty company she fronts, and tries to convince Hetty to bury evidence of wrongdoing. Ignatz Gorman, who once conspired with Katrinka to kidnap Morgan in a complex scheme to win his affection, returns to the scene. Gorman convinces Morgan’s parents to hire him as their chauffeur, introducing himself under an assumed name. Hetty recognizes him, but inexplicably tries to convince Morgan, despite the obvious danger he poses, that Gorman has turned over a new leaf. Katrinka comes into possession of a letter written by Max, Morgan’s father, confessing to wrongdoings long ago committed but kept secret. She ponders the possibility of using it to blackmail Morgan. West (Hetty or Not, 2015, etc.) diligently provides context whenever necessary, ensuring that this novel can be understood independent of its predecessors. But the plot is so thoroughly moored in that antecedent history, it’s unlikely readers’ interest will be gripped without perusing the prequels. The author’s latest has all the tender charm of the others as well as her lovely illustrations throughout. But the striking antagonism between Hetty and Katrinka seems contrived. Katrinka is monochromatically depicted as a cartoon villain, and Hetty as irresponsibly gullible. In addition, it simply makes no sense at this juncture that Hetty and Morgan are still so haunted by doubts about the strength of their bond. Hetty continues to mature, but the story seems stuck in arrested adolescence.
Despite its signature sweetness, this latest chronicle of Hetty’s adventures remains more soap operatic than genuinely dramatic.Pub Date: N/A
ISBN: N/A
Page Count: 218
Publisher: Clean Kind World Books
Review Posted Online: Jan. 24, 2022
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Best Books Of 2015
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National Book Award Finalist
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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