by Martin Booth ‧ RELEASE DATE: Jan. 1, 2000
for a fool. (40 b&w photos, not seen)
A discursive, anecdotal life of the prolific creator of Sherlock Holmes by the equally prolific Booth (The Industry of Souls,
1999, etc.), who seeks here to put the bluff Sir Arthur on the same pedestal as the giants of English literature. Because the largest collection of Doyle’s papers has been kept from scholarly review by his heirs, every biographer who has knelt at the physician-turned-writer’s shrine has had to speculate on crucial details about Doyle’s relationship with his dissolute father, Charles, a failed illustrator who died in an asylum, and with the mysterious lodger Bryan Waller, who saved the struggling family from an Edinburgh poorhouse and might have fathered one of Doyle's sisters. Questions also persist about the sources of Doyle's inconsistent attitudes about science, spiritualism, racism, and women’s suffrage. Moreover, Doyle’s rags-to-riches adventures as a world traveler, photographer, physician, wartime correspondent, amateur detective, patriotic booster, and, finally, writer of some of world’s best and worst genre fiction are so varied that every biographer buckles under the wealth of detail. Booth too often raises important clues to Doyle’s character only to abandon them in his rush to squeeze everything in. Still, he manages to set some records straight (Doyle had literary aspirations long before he became a physician; Sherlock Holmes was based on more originals than Joseph Bell, Doyle’s favorite medical school teacher), reprint some legends (though he spent months on research, at his peak Doyle could finish a novel in less than a week), celebrate his hero’s triumphs (Doyle was knighted for his pro-British pamphleteering during the Boer War, not for his writing), mourn his embarrassments (an ardent believer in the supernatural, he was easily duped by cynical magicians and fraudulent mediums), and explain his enduring popularity. Doyle emerges as an honorable pillar of Victorian pride and prejudice, even when he wrote ineptly and let others play him
for a fool. (40 b&w photos, not seen)Pub Date: Jan. 1, 2000
ISBN: 0-312-24251-4
Page Count: 384
Publisher: Dunne/Minotaur
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2000
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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