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HAVANA BAY

The welcome return of one of the two (along with George Smiley) most memorable characters in modern thrillers. Arkady Renko, the smart, humane, often despairing but idealistic and persistent Moscow detective introduced in Gorky Park (1981) and brought back in Polar Star (1989) and Red Square (1992) is still attempting to nail the bad guys. But in chaotic post—Soviet Russia, a world where the villains seem to be proliferating, his job keeps getting harder. Still reeling from a personal tragedy (likely to unsettle devoted readers of the series), Arkady seizes the opportunity to leave Moscow for a brief trip to Havana. His old acquaintance Pribluda, a KGB bureaucrat, has apparently turned up dead in the harbor. But is it Pribluda? The body is too decayed to allow definite identification. The Cubans, struggling to survive in a world without the Soviet Union, have a barely restrained loathing for Russians and no great interest in investigating the death. Arkady, who’s contemplating suicide and feeling useless and lost, is energized—hours after having entered Cuba—by an attempt on his life. He manages to kill his attacker, thereby becoming a figure of considerable interest to the small Russian diplomatic community and various factions in the Cuban government. With the help of Ofelia Osorio, a bright, competent, maverick policewoman, Arkady begins to sort out the tangled threads of the case. Smith has always demonstrated a genius for detail, and his powers are working at their peak here; his portraits of a threadbare, vibrant Havana, the various classes in Castro’s classless Cuba, and the resilient, sardonic Cuban response to an impoverished existence, are vivid, assured, and convincing. Smith has also always had a genius for complex conspiracies, and the one that Arkady and Ofelia uncover is typically audacious and believable. The climax, as Arkady struggles for his life in the waters of Havana Bay, is masterfully paced. A strong, satisfying addition to one of the most memorable and idiosyncratic series of modern thrillers. (Book-of-the-Month Club main selection; Author tour)

Pub Date: June 1, 1999

ISBN: 0-679-42662-0

Page Count: 416

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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