Hyatt’s novel brings together the grittily realistic with the transcendent, and the result is a beguiling character study.
A solitary man has an emotional and sexual awakening when an unlikely couple arrives in his small Louisiana town.
Boz Matthews, the narrator, is a man in his mid-30s who remains troubled by childhood memories of his violent father and suicidal mother. As the story begins, he's working for his beloved grandfather at the local diner. Things change with the arrival of Catty Mills, a country singer best known for one late-1980s hit, and her companion, Kyle. Boz finds himself attracted to both of them in different ways, and a fourth point on this love quadrangle appears in the form of Meg, an old friend of Boz’s with a long history of depression. The novel opens with a haunting portrait of solitude and depression: the bond between Boz and his grandfather is neatly established with a few key gestures and is gradually expanded throughout the book. Hyatt is deft with parceling out information, whether it’s Boz’s attraction to La Dolce Vita–era Marcello Mastroianni or the fact that, at one point, he had enjoyed writing. And for all that the novel tells a deceptively simple story—that of Boz finding his place in the world—it never stints on the emotional complexity of the characters at its center. Each of them is, in his or her own way, damaged, and while the bond that develops among the quartet has the ability to heal, it also possesses the ability to hurt in equal measure. There are hard-earned moments of emotional triumph to be found here, but there are also gut-wrenchingly sad ones.
Hyatt’s novel brings together the grittily realistic with the transcendent, and the result is a beguiling character study.Pub Date: Oct. 4, 2016
ISBN: 978-0-9975923-0-6
Page Count: 224
Publisher: ANTIBOOKCLUB
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
This is a masterly novel. It will appeal to all lovers of fiction of the first order.
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.
The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.
This is a masterly novel. It will appeal to all lovers of fiction of the first order.Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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