Problematic, but it will be extremely interesting to see what this author does next.
A plainspoken, defiantly uninflected first novel about two clueless Louisiana teenagers who get hitched in the mid-1960s and embark on a sadistic, acquisitive trek for the elusive American better life.
Nita Morrow's first impression of her taciturn, car-obsessed blind date Louis Toussaint is that he's mean-looking, and though “not one hour rolls by before Nita knows she hates Louis,” she still agrees to marry him in order to get out of her dumpy Louisiana hometown. Louis has a high-school diploma, a job in a neighboring rice mill, and his family is echt Catholic Cajun. By contrast, in Nita's broken, improvident home her stepdad excoriates her and constantly walks out on her abject mother. Nita craves a life like the kind she reads about in magazines, and over the grinding years of moving up with a husband infatuated by her beauty yet unable to express himself in more than grunts, she pushes Louis mercilessly to buy bigger houses and more things for their increasing family. The two children, Marc and Jo, come to embody their parents’ fatal disharmony: Nina dotes on Marc and bribes him with material blandishments to perform successfully, while persistently punishing Jo for failing to fit her store-bought sense of what is worthy. The result in the children's teenage years during the ’70s is bitterness and tragedy. Pousson (Assistant Director/Rutgers Writing Program) crafts relentless blocks of present-tense, declarative sentences that strangely suit the superficial gloss of his white-trash characters. The outcome has the grim rhythm of a family chronicle, but it often seems to be playing dumb.
Problematic, but it will be extremely interesting to see what this author does next.Pub Date: March 18, 2002
ISBN: 1-57322-200-3
Page Count: 288
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2002
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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