Witty and fascinating in its treatment of realpolitik, but quickly loses itself in a mash of excess.
A likably preposterous roman-à-clef, by a former U.K. government press secretary, takes aim at spin and dirty tricks in politics.
After losing his post in a whistle-blowing scandal after he’d publicly shamed spin-doctor Jo Moore (notorious for advising on 9/11 that “this would be a good day to bury bad news”), author Sixsmith was pressured into signing a gag clause that prevented him from airing any further dirty Labour laundry. Here, in a first novel, he attempts to circumvent that restriction. The action is projected into the near future, with Labour renamed the New Project Party. The plot quickly departs from actual events, taking us to an imagined time when spin-doctoring cosmeticizes a eugenics program designed to eradicate people with genetic markers for criminal tendencies. The backroom deals and press manipulation, however, carry a strong stench of real life, and the attendant chicanery is handled with a light touch and an obvious familiarity. But the story soon escapes from the bounds of probability as the sleaze practiced by high-ranking politicians escalates to pedophilia, cocaine smuggling and murder, while civil servants are recruited to departments chiefly on the basis of their blackmail-ability. Inconvenient characters are dispensed with by their falling prey to a government-engineered scandal. The central story concerns the career of unscrupulous M.P. Selwyn Knox. Helped by his sidekick and lover, the luscious spin-doctor Sonya Mair, he rises to become head of the newly created Department for Society, intended to eradicate all undesirable social behavior from the British masses. Beginning with a wry depiction of the pair’s dirty tricks, the story eventually—and unadvisedly—becomes embroiled in psychological explanations for Knox’s foul deeds. Before long, both author and characters are delivering lengthy speeches (and sending lengthy e-mails) on moral hubris and original sin.
Witty and fascinating in its treatment of realpolitik, but quickly loses itself in a mash of excess.Pub Date: May 15, 2005
ISBN: 1-4050-4119-6
Page Count: 336
Publisher: Macmillan UK/Trafalgar
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 1, 2005
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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