A timely and resonant novel.



The lives of three women are irreparably changed after a sexual assault accusation rocks their college campus.

Adkins’ (When You Read This, 2019) sophomore novel follows Annie, Bea, and Stayja as they navigate the complexities of Carter University. When Annie, a self-conscious white scholarship student, accuses Tyler—a fourth-year student and the son of Carter mega-donors—of sexual assault, all their lives begin to collide. Bea, a biracial student enrolled in the Justice Scholars Program, is assigned as Tyler’s student advocate—a job she finds complicated and unsettling as a feminist. Stayja, who's white, works at an on-campus coffee shop to help support her family and save money for nursing school. Over a series of deep conversations, Stayja and Tyler fall into a romantic relationship of sorts. After the accusation goes public, Stayja chooses to believe Tyler even when her friends and family express their concerns. Adkins' writing provides a multifaceted portrayal of campus life and politics in the #MeToo era. One moment in particular shows how deftly and honestly this novel treats trauma. Annie cycles through confusion, rage, and every emotion in between. When she thinks back to confronting Tyler about the assault (which he vehemently denies), she tries to diagnose her reaction: “I recall hope so vicious that it sliced through me, disguising itself as belief. Because while I don’t think I did believe him, I wanted to believe more than I’d ever wanted anything.” The diverse cast of characters helps portray the way race, class, and gender affect power dynamics and inform our worldviews. Following a traumatic climax, the novel races too quickly to its ending, though it’s both satisfying and realistic. In the wake of their suffering, Annie, Bea, and Stayja find ways to heal with hope and disillusionment in equal measure.

A timely and resonant novel.

Pub Date: March 10, 2020

ISBN: 978-0-06-288708-5

Page Count: 368

Publisher: Harper/HarperCollins

Review Posted Online: Dec. 9, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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An enjoyable, cozy novel that touches on tough topics.


A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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A strict report, worthy of sympathy.


A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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