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ASK AGAIN, YES

Graceful and mature. A solidly satisfying, immersive read.

Neighboring families in a New York commuter suburb are entwined, root and branch, through work, their children, and a tragedy of profound consequence.

Displaying impressive reach in this third—and possibly breakout—novel, Keane (Fever, 2013, etc.) delivers an epic of domestic emotional turmoil. Its twin families are united initially through the careers of Francis Gleeson and Brian Stanhope, who meet as unmarried rookies in the New York City police academy. Later, now with partners, they move into adjacent homes in the safe-seeming small town of Gillam, where Francis’ wife, Lena, gives birth to three daughters, Sara, Natalie, and Kate. Brian’s wife, Anne, whose temperament is increasingly mercurial, loses her first child but then has a boy, Peter. Friendship between Peter and Kate is cemented from the outset, and as teenagers, the couple’s affections intensify. But on the night Peter tells Kate he thinks they will marry one day, Anne’s mental disturbance and violence reach a climax, one that inflicts terrible, indelible damage and drives Peter and Kate apart. Narrated from multiple perspectives, in compassionate but cool tones, Keane’s story embraces family lives in all their muted, ordinary, yet seismic shades. The Gleesons offer solidity and an assumption that marriage will endure, no matter the tests. The Stanhopes, however, are seamed with inherited fault lines, and Peter will not emerge unscathed from his upbringing. Keane offers empathy and the long view, across a larger spectrum of issues than is at first apparent, pursuing her story for decades while adhering to Anne’s observation "that the beginning of one’s life mattered the most, that life was top-heavy that way." Tender and patient, the novel avoids excessive sweetness while planting itself deep in the soil of commitment and attachment.

Graceful and mature. A solidly satisfying, immersive read.

Pub Date: June 4, 2019

ISBN: 978-1-9821-0698-0

Page Count: 400

Publisher: Scribner

Review Posted Online: Feb. 27, 2019

Kirkus Reviews Issue: March 15, 2019

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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