A finely wrought tale of the sometimes-harmful bonds of family and faith.
In a deceptively quiet but affecting debut, a young mother is suddenly widowed, and, overwhelmed by guilt and fear, learns to live life to the full on an old Vermont farm.
Though fundamentally a story of self-discovery, this one is unlike so many in its genre in that the demons the protagonist overcomes are mostly spiritual ones, products of a religious upbringing. Charlotte MacGuffey has been raised by her two older sisters, Kitty and Rosey, who stepped in to help their father with ten-year old Charlotte after their mother died. They’d been raised as Christian Scientists, and Kitty, who in adult life becomes a Christian Science practitioner, is particularly zealous about maintaining the family’s adherence. In early December 1952, Charlotte, married to Melvin and the mother of Baird and three-year old Hoskins, tells Melvin, just before he sets off on a business trip, that she wants a separation. Lying awake nights, she’s decided there are too many irreconcilable differences between them. But a few days later, when Melvin, a photographer, is killed crossing a street in Vermont, Charlotte not only feels responsible, but all the old fears and uncertainties fostered by the family’s beliefs that illness and unhappiness are caused by weakness of faith, return. Over the summer, spent on the family farm in Vermont, however, Charlotte begins to change. She falls in love and has an affair with neighboring artist Francis; learns that her mother had diabetes and would have lived if the family had taken her to a doctor; and gets Hoskins, a beautiful child who’s obsessed with order and not yet talking, evaluated by a doctor, who suggests he is autistic. Sister Kitty is appalled at Charlotte’s actions, and her defiance of all Mrs. Eddy’s teachings, but Charlotte, who also learns some comforting news about Melvin’s death, is ready to embrace life, the senses, and the future with courage and hope.
A finely wrought tale of the sometimes-harmful bonds of family and faith.Pub Date: Oct. 21, 2003
ISBN: 1-4000-4780-3
Page Count: 320
Publisher: Shaye Areheart/Harmony
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 1, 2003
Relentlessly suspenseful and unexpectedly timely: just the thing for Dick Cheney’s bedside reading wherever he’s keeping...
When the newly elected Vice President’s life is threatened, the Secret Service runs to nomadic soldier-of-fortune Jack Reacher (Echo Burning, 2001, etc.) in this razor-sharp update of The Day of the Jackal and In the Line of Fire that’s begging to be filmed.
Why Reacher? Because M.E. Froelich, head of the VP’s protection team, was once a colleague and lover of his late brother Joe, who’d impressed her with tales of Jack’s derring-do as an Army MP. Now Froelich and her Brooks Brothers–tailored boss Stuyvesant have been receiving a series of anonymous messages threatening the life of North Dakota Senator/Vice President–elect Brook Armstrong. Since the threats may be coming from within the Secret Service’s own ranks—if they aren’t, it’s hard to see how they’ve been getting delivered—they can’t afford an internal investigation. Hence the call to Reacher, who wastes no time in hooking up with his old friend Frances Neagley, another Army vet turned private eye, first to see whether he can figure out a way to assassinate Armstrong, then to head off whoever else is trying. It’s Reacher’s matter-of-fact gift to think of everything, from the most likely position a sniper would assume at Armstrong’s Thanksgiving visit to a homeless shelter to the telltale punctuation of one of the threats, and to pluck helpers from the tiny cast who can fill the remaining gaps because they aren’t idiots or stooges. And it’s Child’s gift to keep tightening the screws, even when nothing’s happening except the arrival of a series of unsigned letters, and to convey a sense of the blank impossibility of guarding any public figure from danger day after highly exposed day, and the dedication and heroism of the agents who take on this daunting job.
Relentlessly suspenseful and unexpectedly timely: just the thing for Dick Cheney’s bedside reading wherever he’s keeping himself these days.Pub Date: May 1, 2001
ISBN: 0-399-14861-2
Page Count: 384
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2002
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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