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AMERICAN ENDING

The narrator’s voice and her story are so unusually vivid it feels like Zuravleff is channeling a real person.

In early 20th-century mining country, a tough little girl digs herself out of a life without choices.

“The Pittsburg-Buffalo Company supplied Pa with a single ticket to come to Marianna in 1898, and selling all they could, floorboards to doorknobs, only raised enough for one more ticket. If Pa came alone, he wouldn’t get a house; if Ma came with him, they’d have to leave the girls behind. So Baba made up a room in their house for her precious granddaughters, and Ma and Pa promised to send for them within a year. But instead of getting their two girls back, they got me, their first American, on January 31, 1899.” Yelena Federoff is a born storyteller, raised on folktales with “Russian endings,” which are the sort where the wolf eats the bride “eyelash to toenail.” This little girl, who is pulled out of school to take care of babies and help keep house before she gets to sixth grade, learns early that real life offers few American endings, where the bride hops out unharmed. Zuravleff’s tale follows Yelena to the age of 20, by which point she has made a few decisions of her own despite the 1908 mining disaster, problematic immigration laws, the Spanish flu epidemic, the reactionary culture of the Old Believers of the Russian Orthodox Church, and plenty of “Foolish Questions,” a long-running real-life newspaper feature with sarcastic answers to stupid queries. All of this is so thoroughly kneaded into the story you won't stop to wonder at the research that yeasted this novel until you finish it. In Yelena’s voice, sprinkled with Russian words and early-20th-century idioms, a whole world comes steaming to life: the horrors of the mine, the closeness of the ethnic neighborhoods surrounding it, the babble of the schoolhouse, the smells of the kitchen, and so much more. When her little brother invents a cage with an air tank attached, so that a canary can do its job in the mine without having to die for it, it seems a metaphor for the love that kept these immigrant families going through the hardest of hardscrabble times.

The narrator’s voice and her story are so unusually vivid it feels like Zuravleff is channeling a real person.

Pub Date: June 6, 2023

ISBN: 9781949467994

Page Count: 320

Publisher: Blair

Review Posted Online: May 24, 2023

Kirkus Reviews Issue: June 15, 2023

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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