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THE FREQUENCY OF SOULS

Polished first novel toying with the possibility that dead souls are all around us, ``broadcasting'' at weak radio frequencies. That, at least, is Zuravleff's premise, but actually her story is mostly about George Mahoney, an engineer working for a company called Coldpoint. George is a walking dead man. He has labored for 14 years on ``improvements'' for refrigerators—his triumph having been the first ice maker—but now he spends all of his time fending off his foulmouthed boss and trying to avoid the ``Veteran,'' his taciturn, burnt-out officemate. And there's trouble at home: a meticulously organized, fiercely middle-class wife who seems increasingly rigid and unimaginative, and a troubled young son who is either brilliant or disturbed. The Veteran is forced into retirement, and a homely engineer with a hearing aid, Niagara Spense, takes his place. Niagara could excel in academic life except that she'd be labeled a crackpot, since her research involves using old radios to listen in on the dead. George falls in love with her, but he merely bemuses her since she's fallen for the Veteran's son, a rock musician who also seeks to commune with the dead. Jealous George breaks into Niagara's home and, bent on sabotage, accidentally tunes in his dead mother. What she says is so startling that George's life flops over completely: He sheds the guilt his mother long ago imposed, realizes how foolish an affair with Niagara would be, and, after his son wins the science fair with an ingenious refrigeration project, comes up with the best idea he's had in years. Zuravleff backs off from her dead souls theme just when it becomes interesting. Nonetheless, her narrative offers a wry and original meditation on office politics, midlife crisis, and even mortality. Thumbs most of the way up.

Pub Date: June 1, 1996

ISBN: 0-374-15851-7

Page Count: 298

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1996

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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