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THE OTHER SIDE OF THE BRIDGE

The calm and beauty of the setting pervade Lawson’s second novel, intensifying the heartfelt pull of its simple human drama.

Another note-perfect take on coming of age in northern Canada, as beautiful as the landscape is stark, from Lawson (Crow Lake, 2002).

Jake and Arthur are as dissimilar as brothers can be. Arthur, stolid and strong, takes after their farmer father, which is a great help as the Depression hits even their self-sufficient village of Struan. Quicksilver younger brother Jake is their mother’s favorite. She admires his good looks and wit, but is blind to his selfishness. The brothers are so different that the story’s crisis feels inevitable. Assigned to walk cows to a neighbor’s farm, Arthur patiently leads a nervous heifer over a rickety bridge, while Jake fools around on the bridge’s underside. When Jake calls out that the cow’s movements might make him fall, Arthur responds with one rare word, “Good,” that will haunt him throughout life. Cut to 20 years later, and Arthur is in charge of the family farm, still silent, still suffering, despite a healthy family and lovely wife. This second story focuses on young Ian, the son of Struan’s doctor, who obsesses over Arthur’s wife. As he wrestles with his own legacy, he becomes more involved with Arthur’s, bringing about an event that will lay bare several secrets. With all the elements of melodrama, Lawson instead crafts a deftly interwoven story of family and loss. Jake’s not evil, just bored. He, like Ian’s mother, isn’t valued in this hardscrabble climate, where his father and brother miss his school play due to errands. “Farming’s important. Work’s important. Time he knew what matters and what doesn’t.”

The calm and beauty of the setting pervade Lawson’s second novel, intensifying the heartfelt pull of its simple human drama.

Pub Date: Oct. 3, 2006

ISBN: 0-385-34037-0

Page Count: 304

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2006

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THE KITE RUNNER

Rather than settle for a coming-of-age or travails-of-immigrants story, Hosseini has folded them both into this searing...

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Here’s a real find: a striking debut from an Afghan now living in the US. His passionate story of betrayal and redemption is framed by Afghanistan’s tragic recent past.

Moving back and forth between Afghanistan and California, and spanning almost 40 years, the story begins in Afghanistan in the tranquil 1960s. Our protagonist Amir is a child in Kabul. The most important people in his life are Baba and Hassan. Father Baba is a wealthy Pashtun merchant, a larger-than-life figure, fretting over his bookish weakling of a son (the mother died giving birth); Hassan is his sweet-natured playmate, son of their servant Ali and a Hazara. Pashtuns have always dominated and ridiculed Hazaras, so Amir can’t help teasing Hassan, even though the Hazara staunchly defends him against neighborhood bullies like the “sociopath” Assef. The day, in 1975, when 12-year-old Amir wins the annual kite-fighting tournament is the best and worst of his young life. He bonds with Baba at last but deserts Hassan when the latter is raped by Assef. And it gets worse. With the still-loyal Hassan a constant reminder of his guilt, Amir makes life impossible for him and Ali, ultimately forcing them to leave town. Fast forward to the Russian occupation, flight to America, life in the Afghan exile community in the Bay Area. Amir becomes a writer and marries a beautiful Afghan; Baba dies of cancer. Then, in 2001, the past comes roaring back. Rahim, Baba’s old business partner who knows all about Amir’s transgressions, calls from Pakistan. Hassan has been executed by the Taliban; his son, Sohrab, must be rescued. Will Amir wipe the slate clean? So he returns to the hell of Taliban-ruled Afghanistan and reclaims Sohrab from a Taliban leader (none other than Assef) after a terrifying showdown. Amir brings the traumatized child back to California and a bittersweet ending.

Rather than settle for a coming-of-age or travails-of-immigrants story, Hosseini has folded them both into this searing spectacle of hard-won personal salvation. All this, and a rich slice of Afghan culture too: irresistible.

Pub Date: June 2, 2003

ISBN: 1-57322-245-3

Page Count: 368

Publisher: Riverhead

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2003

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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