by Mary Lynn Bracht ‧ RELEASE DATE: Jan. 30, 2018
The white chrysanthemum is a Korean symbol of mourning—appropriate for this worthy novel.
A debut novel about the Korean “comfort women” prostituted by Japanese soldiers in World War II—and the strong bond between two sisters separated by the conflict.
Sixteen-year-old Hana lives with her parents and younger sister, Emi, on Jeju Island off the southern coast of Korea. It’s 1943, and though the country has been under Japanese occupation for decades, the family has lived a relatively peaceful existence: Hana and her mother are haenyeos (divers), and her father is a fisherman. Then Hana is kidnapped by a Japanese soldier and brought to a military brothel, where she and other young Korean women are forced into sexual slavery. She tries to escape several times, without much luck. Hana’s sorrowful story is intercut with Emi’s narrative, set in 2011 on Jeju Island and in Seoul. Coerced into a loveless marriage with a Korean policeman, Emi is now an elderly widow with two adult children and horrific memories of what happened to her parents and her village in the run-up to the Korean War. Emi is still searching for her lost sister and blaming herself for Hana’s disappearance—Hana had shielded Emi from the Japanese soldier, preventing her from being captured. Both narratives end on hopeful, albeit somewhat unbelievable, notes. The book’s author, an American of Korean descent, writes well—the passages describing the sisters’ early lives are quite lyrical—and she’s adept at weaving in historical material about Korea and its fraught relationship with Japan. (The Japanese only apologized for the comfort women in the 1990s, and controversy persists.) But the novel is so relentlessly and explicitly brutal it runs the risk of numbing, or perhaps exhausting, the reader.
The white chrysanthemum is a Korean symbol of mourning—appropriate for this worthy novel.Pub Date: Jan. 30, 2018
ISBN: 978-0-7352-1443-9
Page Count: 320
Publisher: Putnam
Review Posted Online: Dec. 11, 2017
Kirkus Reviews Issue: Jan. 1, 2018
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by Roy Jacobsen ; translated by Don Bartlett & Don Shaw ‧ RELEASE DATE: April 7, 2020
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Roy Jacobsen ; translated by Don Bartlett & Don Shaw
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by Roy Jacobsen & translated by Don Bartlett & Don Shaw
by Heather Morris ‧ RELEASE DATE: Sept. 4, 2018
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
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An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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