by Mary Pope Osborne & illustrated by Sal Murdocca ‧ RELEASE DATE: Aug. 1, 1992
In classic E. Nesbit tradition, Jack's wishes go awry while he and his sister Annie, seven, are time traveling. Reluctantly followed by her eight-year-old brother, Annie enters a mysterious treehouse full of books. Examining a dinosaur book, Jack blurts, "I wish I could see a pteranodon for real''—whereupon one flies in, with a rushing wind. Like Dorothy and Toto, they're blown to a land of adventure: the treehouse takes them to the Cretaceous Period, where they meet a triceratops and a duck-billed dinosaur and find a gold medallion engraved "M.'' Elation gives way to terror when a tyrannosaur shows up; Annie escapes, but Jack is cut off while retrieving his pack and the book. Just in time, the pteranodon flies him back to the treehouse, and a hasty wish spins them safely home, to ponder several questions: Whose treehouse? Why all the books? Who is "M''? In the "First Stepping Stone'' series, this initial "Magic Tree House'' book is a fast-paced tale offering both mystery and dinosaurs—powerful enticements for newly independent readers. Illustrations not seen. (Fiction/Young reader. 6-9)
Pub Date: Aug. 1, 1992
ISBN: 0-679-92411-6
Page Count: 68
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1992
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by Mary Pope Osborne ; illustrated by Sal Murdocca
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by Mary Pope Osborne ; adapted by Jenny Laird ; illustrated by Kelly Matthews & Nichole Matthews
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More About This Book
SEEN & HEARD
by Melinda Long & illustrated by David Shannon ‧ RELEASE DATE: Sept. 1, 2003
Thanks to parrot-toting Braidbeard and his gloriously disreputable crew, a lad discovers the ups and downs of a pirate’s life in this rousing mini-epic. His mom and dad busy on another part of the beach, young Jeremy happily joins a band of hook-handed, eye-patched, snaggle-toothed pirates aboard their ship, learning pirate table manners (none), enjoying a game of nautical soccer until a shark eats the ball, then happily retiring without having to brush teeth, or even don pajamas. But then Jeremy learns that pirates don’t get tucked in, or get bedtime stories, and as for good night kisses—Avast! Worse yet, no one offers comfort when a storm hits. So, giving over the pirate’s life, Jeremy shows the crew where to bury its treasure (his backyard), and bids them goodbye. Shannon outfits Braidbeard’s leering, pop-eyed lot in ragged but colorful pirate dress, and gives his young ruffian-in-training a belt and bandanna to match. This isn’t likely to turn pirate wannabees into landlubbers, but it will inspire a chorus of yo-ho-hos. (Picture book. 6-8)
Pub Date: Sept. 1, 2003
ISBN: 0-15-201848-4
Page Count: 44
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2003
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by Melinda Long ; illustrated by Monica Wyrick
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by Melinda Long & illustrated by David Shannon & developed by Oceanhouse Media
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by Melinda Long & illustrated by David Shannon
by Carlo Collodi & adapted by Elastico srl & illustrated by Lucia Conversi translated by Lemmy Caution developed by Elastico srl ‧ RELEASE DATE: March 17, 2011
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly...
Unusually brisk special effects animate this relatively less satiric but equally amusing adaptation of the classic tale.
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly delivers a Bronx cheer and then whirls away on a long series of misadventures. These culminate in a final change into a flesh-and-blood boy with help from a fingertip “paintbrush.” Quick and responsive touch- or tilt-activated features range from controllable marionettes, Pinocchio’s tattletale nose and Fire-Eater’s explosive sneeze to a movable candle that illuminates both Geppetto in the fish’s dark belly and the accompanying block of text. Even the thumbnail page images of the index (which opens any time with a shake of the tablet) tumble about, somehow without falling out of order. Though transitions are almost nonexistent in the episodic plot, the text is both substantial enough to have a definite presence and artfully placed in and around Conversi’s brightly colored settings and toylike figures. Text is available in English or Italian with a clear, understated optional audio narration backed by unobtrusive music. A link on the credits page leads to downloadable coloring sheets on the producer’s website.Pub Date: March 17, 2011
ISBN: N/A
Page Count: -
Publisher: Elastico srl
Review Posted Online: July 20, 2011
Kirkus Reviews Issue: Aug. 15, 2011
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by Carlo Collodi ; adapted by Carol Della Chiesa ; illustrated by Swarna Chitrakar
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by Carlo Collodi illustrated by Fulvio Testa translated by Geoffrey Brock
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