by Mary Pope Osborne & illustrated by Sal Murdocca ‧ RELEASE DATE: Aug. 1, 1992
In classic E. Nesbit tradition, Jack's wishes go awry while he and his sister Annie, seven, are time traveling. Reluctantly followed by her eight-year-old brother, Annie enters a mysterious treehouse full of books. Examining a dinosaur book, Jack blurts, "I wish I could see a pteranodon for real''—whereupon one flies in, with a rushing wind. Like Dorothy and Toto, they're blown to a land of adventure: the treehouse takes them to the Cretaceous Period, where they meet a triceratops and a duck-billed dinosaur and find a gold medallion engraved "M.'' Elation gives way to terror when a tyrannosaur shows up; Annie escapes, but Jack is cut off while retrieving his pack and the book. Just in time, the pteranodon flies him back to the treehouse, and a hasty wish spins them safely home, to ponder several questions: Whose treehouse? Why all the books? Who is "M''? In the "First Stepping Stone'' series, this initial "Magic Tree House'' book is a fast-paced tale offering both mystery and dinosaurs—powerful enticements for newly independent readers. Illustrations not seen. (Fiction/Young reader. 6-9)
Pub Date: Aug. 1, 1992
ISBN: 0-679-92411-6
Page Count: 68
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1992
Share your opinion of this book
More by Mary Pope Osborne
BOOK REVIEW
by Mary Pope Osborne ; illustrated by Sal Murdocca
BOOK REVIEW
by Mary Pope Osborne ; adapted by Jenny Laird ; illustrated by Kelly Matthews & Nichole Matthews
BOOK REVIEW
by Mary Pope Osborne ; illustrated by Sal Murdocca
More About This Book
SEEN & HEARD
by Carlo Collodi & adapted by Elastico srl & illustrated by Lucia Conversi translated by Lemmy Caution developed by Elastico srl ‧ RELEASE DATE: March 17, 2011
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly...
Unusually brisk special effects animate this relatively less satiric but equally amusing adaptation of the classic tale.
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly delivers a Bronx cheer and then whirls away on a long series of misadventures. These culminate in a final change into a flesh-and-blood boy with help from a fingertip “paintbrush.” Quick and responsive touch- or tilt-activated features range from controllable marionettes, Pinocchio’s tattletale nose and Fire-Eater’s explosive sneeze to a movable candle that illuminates both Geppetto in the fish’s dark belly and the accompanying block of text. Even the thumbnail page images of the index (which opens any time with a shake of the tablet) tumble about, somehow without falling out of order. Though transitions are almost nonexistent in the episodic plot, the text is both substantial enough to have a definite presence and artfully placed in and around Conversi’s brightly colored settings and toylike figures. Text is available in English or Italian with a clear, understated optional audio narration backed by unobtrusive music. A link on the credits page leads to downloadable coloring sheets on the producer’s website.Pub Date: March 17, 2011
ISBN: N/A
Page Count: -
Publisher: Elastico srl
Review Posted Online: July 20, 2011
Kirkus Reviews Issue: Aug. 15, 2011
Share your opinion of this book
More by Carlo Collodi
BOOK REVIEW
by Carlo Collodi ; adapted by Carol Della Chiesa ; illustrated by Swarna Chitrakar
BOOK REVIEW
by Carlo Collodi illustrated by Fulvio Testa translated by Geoffrey Brock
by Chris Van Allsburg & illustrated by Chris Van Allsburg ‧ RELEASE DATE: Oct. 28, 2002
A trite, knock-off sequel to Jumanji (1981). The “Jumanji” box distracts Walter Budwing away from beating up on his little brother Danny, but it’s Danny who discovers the Zathura board inside—and in no time, Earth is far behind, a meteor has smashed through the roof, and a reptilian Zyborg pirate is crawling through the hole. Each throw of the dice brings an ominous new development, portrayed in grainy, penciled freeze frames featuring sculptured-looking figures in constricted, almost claustrophobic settings. The angles of view are, as always, wonderfully dramatic, but not only is much of the finer detail that contributed to Jumanji’s astonishing realism missing, the spectacular damage being done to the Budwings’ house as the game progresses is, by and large, only glimpsed around the picture edges. Naturally, having had his bacon repeatedly saved by his younger sibling’s quick thinking, once Walter falls through a black hole to a time preceding the game’s start, his attitude toward Danny undergoes a sudden, radical transformation. Van Allsburg’s imagination usually soars right along with his accomplished art—but here, both are just running in place. (Picture book. 6-8)
Pub Date: Oct. 28, 2002
ISBN: 0-618-25396-3
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2002
Share your opinion of this book
More by Chris Van Allsburg
BOOK REVIEW
by Chris Van Allsburg ; illustrated by Chris Van Allsburg
BOOK REVIEW
by Chris Van Allsburg & illustrated by Chris Van Allsburg
BOOK REVIEW
by Chris Van Allsburg & illustrated by Chris Van Allsburg
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.