Stories more harrowing than your newsfeed on Facebook.
Futuristic and of-the-moment stories that take aim at innovations that threaten to take us backward.
In this debut collection, South crafts science-fictional scenarios that are just believable enough to be unsettling: In "Keith Prime," babies, born from artificial wombs, are drugged into "perpetual sleep," tended by nurses, and then harvested for valuable organs; and in "Not Setsuko," a mother who has lost her daughter seeks to "duplicate" her in a new one. To do this, she obsessively restages important moments from her dead daughter's life (like the death of the beloved family cat) and, failing that, makes the new Setsuko recite memories from experiences she's never had (like breaking her arm). Throughout, the characters are desperately unhappy and disconnected. Sometimes their coping mechanisms are so extreme it's hard to care, as in "The Promised Hostel," a meandering story that revolves around a group of damaged men suckling at the breasts of a damaged woman. But in the standout pieces, the characters' pain is deeply human and affecting. "Frequently Asked Questions About Your Craniotomy," an FAQ that goes off the rails, reveals that none of us is immune to loss, not even an accomplished neurosurgeon who opens skulls and faces death on a daily basis. And in "You Will Never Be Forgotten," a scathing critique of Silicon Valley and everything the internet has borne, the narrator is a content moderator at a popular search engine, which means she sits in a dark room all day reviewing "hate speech, gore, torture, pornography both adult and child, horrific traffic accidents, executions carried out by terrorists" and removing it. She has also recently been raped by a well-known venture capitalist. This story takes many brilliant twists and turns and culminates in an ending so surprising and inevitable Flannery O'Connor would surely approve.
Stories more harrowing than your newsfeed on Facebook.Pub Date: March 10, 2020
ISBN: 978-0-374-53836-1
Page Count: 256
Publisher: Farrar, Straus and Giroux
Review Posted Online: Dec. 8, 2019
Kirkus Reviews Issue: Jan. 1, 2020
BOOK REVIEW
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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