An affecting, deeply honest novel; at the same time, a lacerating indictment of our modern health care system.

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Montpelier Tomorrow

After a woman’s son-in-law contracts amyotrophic lateral sclerosis, she tries to help the family, but the burdens of caregiving take her relationships to the breaking point.

Kindergarten teacher Colleen Gallagher, 53, is glad to help out when her daughter Sandy’s husband, Tony, gets a fatal diagnosis: ALS, aka Lou Gehrig’s disease. With a newborn, a toddler, a high-pressure job and Tony’s medical procedures to manage, Sandy needs all the help she can get. Colleen is all too familiar with being a young widow left to raise small children on her own; her husband died in a car accident when Sandy was 5. Though Tony’s family and friends start out with optimism and good intentions, tempers are soon frayed and patience worn out by the constant demands of caretaking. Sandy is often angry and resentful; Colleen feels like a slave. In the end, the survivors will have to go on with their lives. MacDonald (co-author: The Quiet Indoor Revolution, 1992) gives an unflinching portrait of dealing with a debilitating chronic illness: the expense, the logistics, the red tape, and especially the brutal, exhausting, undignified truths of nursing: “None of the caregivers’ manuals mentioned the orange shit that oozed out Tony’s rectum only half-way so that I had to dig out the rest as I wiped his butt.” The characters have a maddening way of making things more difficult for themselves; despite Tony’s wealthy parents, all the household DIY chores—scraping plaster, sewing drapes, cleaning gutters—for some reason fall to Colleen. But it’s really health care that doesn’t make sense. Tony’s doctor recommends a life-prolonging feeding tube. Why? “Because doctors love technology. Also, she doesn’t have to live here,” a nurse explains. Commenting on Tony’s feeding chair, she continues, “When I started in this profession, you never would have seen equipment like that in a home. It doesn’t belong here.” MacDonald saves her debut novel from being too didactic by her well-rounded characters and Colleen’s complex, thoughtful responses to the untenable situation.

An affecting, deeply honest novel; at the same time, a lacerating indictment of our modern health care system.

Pub Date: Aug. 21, 2014

ISBN: 978-0990715818

Page Count: 318

Publisher: All Things That Matter Press

Review Posted Online: Dec. 8, 2014

Kirkus Reviews Issue: Jan. 15, 2015

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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