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WINDWARD HEIGHTS

WINDWARD HEIGHTS ($24.00; Aug. 18; 364 pp.; 1-56947-161-4). Guadeloupian-born novelist CondÇ (The Last of the African Kings, 1997, etc.) rises above her usual accusatory lushness in this rich reimagining of Emily Brontâ’s Wuthering Heights: the lavish tale (recounted by several narrators) of “a mulatto girl as poor as a church mouse . . . madly in love with a black boy even poorer than herself.” For once, CondÇ’s tiresomely explicit condemnations of racial and ethnic prejudice and injustice are subordinated to a real story, dominated by vivid characters (her Heathcliff, the Byronic-demonic RayzÇ and his several hot-blooded sons are especially flamboyant romantic figures)and enriched by frequent illustrations of the “voodoo” religion of Santeria. A Third World “Duel in the Sun”: over the top, as always, but nevertheless one of its author’s most involving and satisfying novels.

Pub Date: Aug. 18, 1999

ISBN: 1-56947-161-4

Page Count: 364

Publisher: Soho

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1999

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LONESOME DOVE

This is a masterly novel. It will appeal to all lovers of fiction of the first order.

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.

The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.

This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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I WHO HAVE NEVER KNOWN MEN

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In this futuristic fantasy (which is immediately reminiscent of Margaret Atwood's The Handmaid's Tale), the nameless narrator passes from her adolescent captivity among women who are kept in underground cages following some unspecified global catastrophe, to a life as, apparently, the last woman on earth. The material is stretched thin, but Harpman's eye for detail and command of tone (effectively translated from the French original) give powerful credibility to her portrayal of a human tabula rasa gradually acquiring a fragmentary comprehension of the phenomena of life and loving, and a moving plangency to her muted cri de coeur ("I am the sterile offspring of a race about which I know nothing, not even whether it has become extinct").

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Pub Date: May 1, 1997

ISBN: 1-888363-43-6

Page Count: 224

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1997

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