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THE DISTANCE BETWEEN US

Thoughtfully written but emotionally distant and overly cerebral.

Hamilton (Staircase of a Thousand Steps, 2003) tracks an American journalist in the Middle East.

Outside Beirut, on the way to interview a Lebanese crime kingpin with terrorist ties, reporter Caddie Blair survives an ambush that kills British photographer Marcus. Recovering in a dingy hospital, Caddie realizes that she has no one to notify. Marcus was her lover; her grandmother and mother are long dead, and she has few friends in Jerusalem, where she lives. If she ever had a home, it was with Marcus—he’d understood her passion for her work, and she’d admired his: he’d had an uncommon talent for capturing moments that defined the grinding conflict between Israel and the countries that surround it. But his fame was no protection against his fate—and his unknown murderers will go unpunished. Desiring a revenge she can’t take, Caddie plunges back into reporting, maintaining a careful distance, yet drawn to scenes of violence as she reflects on Marcus’s meaningless death, her parents’ long-ago abandonment of her, and her own taste for life on the razor’s edge. Fluent in Arabic, she talks to a Palestinian woman seeking treatment for her mortally injured daughter, knowing that the woman’s young son built the bomb that burned his little sister to the bone. Before the doctors realize that Caddie is American, she learns the hideous truth: there isn’t enough morphine to go around and not enough penicillin. In a restless quest to get a story—any story—she interviews Moshe Bar Lev, a militant settler. A firebomb destroys the bus they’re riding, and the settlers retaliate with gunfire, hoping to kill as many Arabs as possible. All in a day’s work . . . . Moshe returns home to dinner with his family and Caddie tags along. There’s no peace to be found—though she does find love again with a fellow journalist, himself a survivor of tragic violence.

Thoughtfully written but emotionally distant and overly cerebral.

Pub Date: Nov. 20, 2004

ISBN: 1-932961-02-X

Page Count: 304

Publisher: Unbridled Books

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 1, 2004

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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