A stale exploration of a nearly forgotten writer, offering little to enhance Grahame’s relevancy for modern readers.

THE MAN IN THE WILLOWS

THE LIFE OF KENNETH GRAHAME

A biography of the author of The Wind in the Willows.

First published in 1908, The Wind in the Willows has endured as a beloved children’s classic and has also gained a devoted adult readership. The story, which celebrates the pastoral delights found in the rural English countryside as experienced through the friendship of four anthropomorphized animals, originated as a series of bedtime stories told by Kenneth Grahame (1859-1932) to his son. Grahame’s vivid descriptions of the natural setting harkened back to memories of his own childhood wanderings. Though much of Grahame’s writing for children is joyful, his personal life, as described in this latest biography by Dennison (Over the Hills and Far Away: The Life of Beatrix Potter, 2017, etc.), was often bleak. Grahame’s mother died when he was young, and after living briefly with his unstable, alcoholic father, he and his siblings were sent to live with their grandmother in a rural home known as The Mount. He would often revisit this idyllic setting in his imagination throughout much of his adult life, inspiring many of his stories. But disappointment and loss continued to haunt Grahame as an adult. He was coerced by his guardian to take on a bank job rather than attend university, leading to lonely years in London beholden to a banking career while pursuing his writing interests. A late marriage would lead to further unhappiness, as their only child committed suicide before he was 20. Sadly, Dennison does little to enliven his portrait of Grahame. While respectful and not entirely unsympathetic, the author’s treatment feels like a commissioned exercise. His prose style is overly fusty, and Grahame’s portrait lacks the psychological probing one expects with contemporary scholarship. For instance, Dennison neglects to explore his subject’s sexual identity. Though a biographer is unlikely to prove that Grahame was a homosexual, this aspect of his personality has been strongly considered by other recent scholars.

A stale exploration of a nearly forgotten writer, offering little to enhance Grahame’s relevancy for modern readers.

Pub Date: Feb. 5, 2019

ISBN: 978-1-64313-007-1

Page Count: 240

Publisher: Pegasus

Review Posted Online: Nov. 26, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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