by Matthew Kneale ‧ RELEASE DATE: March 14, 2000
impressively knowledgeable, and very moving historical novel.
A richly satisfying debut, comparable in many ways to Andrea Barrett's The Voyage of the Narwhal, that uses nearly 20
carefully distinguished voices to tell the convoluted story of a 19th-century expedition to Tasmania and a stalemated conflict between "civilization" and "savagery." It's heavy going at first. In 1857, Captain Illian Kewley blandly relates the misadventures of the ship he commands, the (rather grandly named) Sincerity, seized for smuggling, then "put up for charter," and hired to sail to Tasmania by an unlikely pair of "passengers." Reverend Geoffrey Wilson aims to disprove the claims of geology by demonstrating that the biblical Garden of Eden did exist: on this remote island off Australia's southern coast. His partner, Dr. Thomas Potter, motivated by what Potter terms "scientific interest," seeks evidence to support his notion that Tasmanian aborigines represent "the very lowest of all the races—or species—of men, being bereft of even the most rudimentary skills." The answer to Dr. Potter's theory emerges in several narratives dating from 1820 and thereafter, in which we meet a number of Tasmania's colonial governing officials and their families; "sealer" (and sailor) Jack Harp, for whom aboriginal women are sexual game ripe to be taken; and, most importantly, a wily native named Peevay, whose intimacy with the "visiting" English will test his people's innate gentleness and threaten their very existence, and Peevay's choleric "Mother," who swears revenge on the white men who have abused her (and, in fact, becomes a kind of warrior queen whom her white educators will, in their innocence, rename "Boadicea"). Kneale blends together their several stories adroitly, in a suspenseful piecemeal narrative that climaxes when those begun in the 1820s extend 30 years into the future, the "English passengers" arrive at the port of Hobart, and the destinies of two opposed cultures inexorably work themselves out. Despite minor echoes of Great Expectations and Thomas Keneally's The Chant of Jimmie Blacksmith: an original,
impressively knowledgeable, and very moving historical novel.Pub Date: March 14, 2000
ISBN: 0-385-49743-1
Page Count: 416
Publisher: Nan A. Talese
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2000
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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