Pearl is a smooth writer whose adoption of the ambling pace, digressions, and melodrama of an earlier literary era may not...
An entertaining adventure tale steeped in literary history tells of rival book pirates seeking their biggest prize, the last novel of Robert Louis Stevenson (1850-94).
Pearl (The Technologists, 2012, etc.) extrapolates from a scrap of history about the illicit 19th-century trade in books before the international copyright law of 1891 to imagine a busy demimonde of bookaneers (he says in an afterword he found the term used as early as 1837) working in New York and London. He brings in the characters Whiskey Bill and Kitten from his 2009 novel, The Last Dickens, both central to subplots in the present novel. The main plot has the two leading bookaneers, Davenport and Belial, vying for the Stevenson prize by voyaging to Samoa, where the author of Treasure Island has established himself as a sort of philosopher-king. Davenport has a sidekick named Fergins, a former bookseller, who plays Watson to his companion’s Holmes. As usual with Pearl, sleuthing helps drive the story, especially when Davenport uses his keen eye and deductive skills to investigate Kitten’s death after her great coup, finding a Mary Shelley manuscript. Mostly the story dawdles on Samoa, waiting for the great author to finish his masterpiece and for a chance to outwit the devilish Belial. Pearl has fun with cannibals, a native beauty, an amorous dwarf, myriad literary references and allusions, and not one but two neat twists as the tale winds down. He also plays with narrative voices, delivering most of the story through Fergins’ memories of it but as told to Clover, a black railway porter befriended by the bookseller and a key figure in the final twist. The narrative device adds another layer of 19th-century literary atmosphere.
Pearl is a smooth writer whose adoption of the ambling pace, digressions, and melodrama of an earlier literary era may not suit today’s instant gratifiers, but he offers many of the charms and unrushed distractions of a favorite old bookstore.Pub Date: April 28, 2015
ISBN: 978-1-59420-492-0
Page Count: 400
Publisher: Penguin Press
Review Posted Online: March 1, 2015
Kirkus Reviews Issue: March 15, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
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