An overstuffed ode to bygone pop culture and the unattainable literary life.
When a metal head princess, a reformed junkie, a fast-talking woman of God, and a despondent retired teacher walk into a book, unpredictable chaos ensues.
In his amusing but disjointed new novel, the author of The Silver Linings Playbook (2008) channels four troubled narrators to varying effect. First we meet Portia Kane, an aging trophy wife about to shoot her porn-producer husband and his perky teen lover. Then she wisely abandons this plan and storms out, instead embarking on a quest to save her hoarder mother, her suicidal high school English teacher, and—you knew this was coming—herself (in an awkward little subplot, this involves publishing a book that gets a poor Kirkus review). The teacher, Mr. Vernon, barely survived a beating by one of his students and now lives alone in the woods with a broken spirit, a lot of wine, and a dog named Albert Camus. (Quick does his best work with Vernon, who lusts after “the noses of Jewish women” and waxes nostalgic for “late PBS painter Bob Ross.”) Portia lands on his doorstep in time to delay his death but not before she reconnects with a hometown friend’s handsome brother, who’s been crushing on her for 20 years and later chronicles their relationship in his own section. Need a breath yet? Take one now, before the nun. Our final tour guide is Sister Maeve Smith, who speaks from beyond the grave via letters to her son, aka Mr. Vernon, after she meets Portia on a plane. Call it fate, call it coincidence, call it too much plot—either way, you can’t fault Quick for being short on ideas. All his books have been optioned for movies, including this one, and they almost make more sense that way: it’s easy to imagine this quartet of busy narrators, whose similar voices sometimes fall flat on the page, brought to life beautifully by the right cast.
An overstuffed ode to bygone pop culture and the unattainable literary life.Pub Date: June 16, 2015
ISBN: 978-0-06-228556-0
Page Count: 400
Publisher: Harper/HarperCollins
Review Posted Online: March 20, 2015
Kirkus Reviews Issue: April 1, 2015
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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