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The Sense of Death

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In Dalrymple’s debut thriller, a woman capable of sensing spirits might be unknowingly putting herself in danger when she gets close to exposing a murderer.
Ann Kinnear can’t converse with ghosts, but her ability to sense a lingering spirit, or “essence,” is enough for her to work as a consultant for police in a missing person case. But it’s a job for client Mavis Van Dyke that catches a killer’s attention. Mavis, who wants to live in a haunted house, hires Ann to walk through prospective homes. Ann is so disturbed by an angry spirit at a Philadelphia house that she won’t even go inside. When Detective Joe Booth hears of this, he asks Ann to return to the residence, hoping to validate his belief that the seller, Biden Firth, murdered his wife, Elizabeth. Biden learns about Ann, too, and he starts obsessively keeping an eye on her and her brother/business partner, Mike, to ensure that Ann doesn’t help the detective solve his case. Dalrymple’s novel features a protagonist who’s amiably reclusive—she’s none too happy that a History Channel special gets her recognized in public—but also relatable, especially considering her endearing relationship with Mike, who, even as a child, fully believed in her spirit sensing. Ann’s special talent is distinctive and remarkable; though people usually call her a psychic, she can’t directly communicate with spirits (a fact that is repeated a few too many times) and instead senses them via glowing lights, sounds or smells, e.g., the scent of a dead man’s pipe tobacco. Though Ann sees herself as a “freak,” she isn’t portrayed as such. The story touches on her affinity for Garrick, who relates to Ann by sharing a similar ability. While Mike and Ann’s separation from the ongoing murder case helps build suspense (Biden has the advantage since they don’t know what he looks like), the investigation gets a dramatic punch from Joe’s visits with Elizabeth’s grieving mother, Amelia, as well as updates on Biden’s daughter, 2-year-old Sophia, whom the father often neglects. The book closes with adequate resolution and is bolstered by an intense scene with at least one life in peril.
A frighteningly meticulous villain and a formidable protagonist will have readers breezing through the pages.

Pub Date: Nov. 30, 2013

ISBN: 978-0615919775

Page Count: 324

Publisher: William Kingsfield Publishers

Review Posted Online: July 16, 2014

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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