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RECIPE FOR DISASTER

Talented baker-entrepreneur Francie’s comfortable perch at the margins of ninth-grade social life—half-heartedly playing clarinet in Performance Band to ensure class time with best friend Holly, flirting surreptitiously with adorable dolt Tate Jarvis—is upended by the unnervingly self-possessed newcomer Darlene. Darlene is a frenemy par excellence, sowing jealousy and discontent in Francie and Holly’s solid friendship and manipulating Francie into one humiliating situation after another. This drama doesn’t ever reach a satisfying pitch, however, because there are too many competing narrative threads: The mean girls’ plot threatens to overtake Francie’s quest for fame as a celebrity baker, which is facilitated in part by a slow-burn romance with hilarious oddball Harold Horvath. Overplotting ensures that no single strand of the story reaches a completely satisfying conclusion, and readers will recognize the stock characters and familiar situations, but Fergus makes the main lessons—true passions are worth pursuing, real friends stick by each other and failure can yield inspiring opportunities—ring true enough. Most readers will wish for a Harold Horvath–focused sequel, or a cookbook detailing Francie’s scrumptious-sounding recipes. (Fiction. 12-15)

Pub Date: Sept. 1, 2009

ISBN: 978-1-55453-319-0

Page Count: 256

Publisher: Kids Can

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2009

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BRONX MASQUERADE

At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in...

This is almost like a play for 18 voices, as Grimes (Stepping Out with Grandma Mac, not reviewed, etc.) moves her narration among a group of high school students in the Bronx.

The English teacher, Mr. Ward, accepts a set of poems from Wesley, his response to a month of reading poetry from the Harlem Renaissance. Soon there’s an open-mike poetry reading, sponsored by Mr. Ward, every month, and then later, every week. The chapters in the students’ voices alternate with the poems read by that student, defiant, shy, terrified. All of them, black, Latino, white, male, and female, talk about the unease and alienation endemic to their ages, and they do it in fresh and appealing voices. Among them: Janelle, who is tired of being called fat; Leslie, who finds friendship in another who has lost her mom; Diondra, who hides her art from her father; Tyrone, who has faith in words and in his “moms”; Devon, whose love for books and jazz gets jeers. Beyond those capsules are rich and complex teens, and their tentative reaching out to each other increases as through the poems they also find more of themselves. Steve writes: “But hey! Joy / is not a crime, though / some people / make it seem so.”

At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in the poetry. (Fiction. 12-15)

Pub Date: Jan. 1, 2001

ISBN: 0-8037-2569-8

Page Count: 176

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2001

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THE GIRL OF FIRE AND THORNS

From the Girl of Fire and Thorns series , Vol. 1

Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...

Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.

Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.

Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)

Pub Date: Sept. 1, 2011

ISBN: 978-0-06-202648-4

Page Count: 432

Publisher: Greenwillow Books

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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