Historical fiction that reads like epic fantasy. Great stuff.
Sex, intrigue and betrayal in the last days of the reign of Phillip the Fair of France.
After losing a lawsuit to his aunt, the Countess Mahaut, 14th-century French nobleman Robert III of Artois feels cheated out of lands and a title that he feels should rightfully be his. He decides to take revenge against his aunt via her two daughters and her young cousin, who are married to the king’s three sons. Unfortunately for them, Robert is aware that Marguerite, Mahaut’s cousin, and Blanche, her daughter, are currently having affairs with two young gentlemen at court, while Jeanne, another daughter, helps to facilitate their trysts. Robert hatches a plot to expose the affairs, aided by his cousin Isabella, who also happens to be Phillip the Fair’s daughter, unhappily married to King Edward II of England. But if the plot succeeds, the succession of the throne of France, and thus the realm itself, could be thrown into chaos. Hanging over all of this is the curse of the Grand Master of the Order of Knights Templar, Jacques De Molay, who, while burning at the stake, used his dying breath to curse his tormentors, including King Phillip, to die by the end of the year. Druon, who himself died in 2009, captures the times in this, the first of a seven-book series about the descendants of Phillip the Fair and the start of the Hundred Years' War, which was originally published in French in the 1950s and ’60s. The level of historic detail is astounding, and Druon masterfully brings his characters to life. Much of this book is presumably designed to set the stage for the rest of the series, and as a result, dozens of players are introduced, which can be overwhelming. Druon helpfully includes a detailed list of characters, though, as well as a family tree, to help readers untangle the often complicated familial and political relationships. Readers who do so will be richly rewarded.
Historical fiction that reads like epic fantasy. Great stuff.Pub Date: March 26, 2013
ISBN: 978-0-00749126-1
Page Count: 356
Publisher: Harper Voyager
Review Posted Online: Jan. 19, 2013
Kirkus Reviews Issue: Feb. 1, 2013
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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