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THE MAKING OF A PRINCE

A NOVEL BASED ON THE LIFE OF NICCOLÒ MACHIAVELLI

Thoroughly researched, masterfully embroidered, and enjoyable to read.

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The politics, society, and culture of Renaissance Florence are vividly reanimated in Marmorstein’s historical novel debut based on the life of Niccolò Machiavelli.

There is little that the young Niccolò adores more than escaping his family home and threading his way through the streets of Florence to watch old men play cards in a seedy osteria. Here, drawing on a “premeditated charm offensive” inherited from his mother, he casually triggers animated debate among the players as a way of gleaning information about Florentine politics. This delightful scene is an indicator of what Niccolò will become: a political realist with a keen understanding of the human condition. The novel flits elegantly throughout Niccolò’s life—his ascension through the ranks to a position in the Second Chancery; various diplomatic missions on behalf of the republic and his role in deploying a citizen-staffed army in the war against Pisa; later years after the second Medici restoration when he was arrested and tortured for conspiracy; and a period of exile in rural Tuscany, where he began to write his great political treatises. A number of the titles from the Mentoris Project (“a series of novels and biographies about the lives of great Italians and Italian-Americans”) adopt a wearingly generic approach, making Marmorstein’s narrative deviation from conventional linear chronology refreshing. Marmorstein also succeeds in bringing Florentine society to life, particularly with regard to feasting, offering sumptuous descriptions of the local cuisine. Niccolò indulges in “a hefty portion of gran bollito misto, a hearty stew made with seven different cuts of boiled beef and veal, and seven more supplementary varieties of meat including capon, broiler chicken, and beef tongue.” Marmorstein’s descriptive eye also falls on the city’s art and architecture, taking in the “three-dimensional reality” of Masaccio’s fresco and Brunelleschi’s “massive cupola atop the Duomo.” Sadly, he chooses not to fully elaborate on Machiavelli’s penchant for “late-night escapades,” which may have proven entertaining. Still, Marmorstein skillfully weaves a spellbinding tale of the making of a political luminary set against the vibrant backdrop of Renaissance Florence.

Thoroughly researched, masterfully embroidered, and enjoyable to read.

Pub Date: Nov. 30, 2018

ISBN: 978-1-947431-17-1

Page Count: 242

Publisher: Barbera Foundation

Review Posted Online: Dec. 19, 2018

Kirkus Reviews Issue: Feb. 1, 2019

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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