by Max Allan Collins ‧ RELEASE DATE: Dec. 1, 2004
Collins clearly wants to be Mickey Spillane, and there’s plenty of blazing .45 action to satisfy lovers of that sort of...
The Angel of Death is dead, but his spirit of vengeance lives on in his war-hero son, back to get revenge on the Chicago Outfit—again.
We’re now in the middle stretch of the trilogy that Collins spun out of his 1998 graphic novel, Road to Perdition (dourly filmed four years later by Sam Mendes, with Tom Hanks and Paul Newman), then wrote into a novelization. With this sequel (to be concluded, we’re told, with Road to Paradise), Collins extends the story of the O’Sullivan clan, previously decimated by mob warfare and now represented only by Michael O’Sullivan, adopted and given the last name Satariano, and still remembering what Capone’s henchmen did to his family. Michael grew up to be just as much a stone-cold killer as his old man, as proven in the story’s bloody introduction, set on Bataan, where Michael guns down a division’s worth of Japanese soldiers. He loses an eye but gains a Medal of Honor and honorable discharge back to the states, where he doesn’t lose any time getting into the mix. Papa Satariano gets him a meeting with Capone’s right-hand man, Frank Nitti, who welcomes the very useful Michael into the belly of the Outfit. Simultaneously, Michael is supposed to be doing his civic duty, as laid out for him during a meeting with Eliot Ness—star of a series of pulp novels that Collins wrote some years ago—who wants help breaking up the Outfit led by Capone from his Florida mansion. A long flashback fills in background on Michael’s family origins back in Rock Island, and it’s a pleasant relief from Collins’s tiresome way, elsewhere, of imagining Michael as a rock-jawed, two-dimensional caricature.
Collins clearly wants to be Mickey Spillane, and there’s plenty of blazing .45 action to satisfy lovers of that sort of thing. But without the robotic Michael possessing a single human emotion, it’s hard to care much what happens.Pub Date: Dec. 1, 2004
ISBN: 0-06-054027-3
Page Count: 304
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2004
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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