Unlike his high-minded heroine, Phillips (Snakebite Sonnet, 1998) scrupulously avoids any worship at the shrine of art: the...
An inventive, vividly written fictional autobiography of Alma Mahler (1879–1964).
The full-figured blond beauty of Fräulein Alma Schindler, daughter of a famous landscape painter, is much admired in Vienna’s musical and artistic circles. When partial deafness ends her plan to become an opera singer, she turns to composing, while also daydreaming about marrying “the way that you might stand above a ravine and imagine yourself falling.” She’s set her heart on an artist, provided she can find one who’s pure, brave, and manly enough to dominate her. Starting with painter Gustav Klimt—a talented peasant, but still a peasant, according to her outraged family—she trifles with one man after another, finally choosing composer/conductor Gustav Mahler. Jewish-born Catholic convert Mahler can’t resist this self-styled Aryan goddess of love, who nurtures his genius and inspires his greatest music. But after the birth of their first daughter, Maria, the role of muse begins to wear thin; soon pregnant again, Alma feels she’s turning into a doughty housekeeper. When Maria dies of diphtheria, the grieving family sets sail for America, where Mahler triumphs, then sickens of heart disease. Later, while taking the waters at an Austrian spa, the couple meets a young architect, Walter Gropius, who falls immediately in love with Alma. But he won’t marry her after the great man dies, and so she begins an affair with Czech expressionist painter Oskar Kokoschka—a liaison that ends badly. Years afterward, she marries Gropius, by then busy inventing the Bauhaus movement. Moving right along, she eventually leaves him for another Jew who can’t resist her: popular Austrian author Franz Werfel. The two narrowly escape the Holocaust and wind up in Hollywood, along with other famous European ex-pats. Franz dies, and Alma lives on 20 years more, old and fat and ultimately disappointed, even by her own death.
Unlike his high-minded heroine, Phillips (Snakebite Sonnet, 1998) scrupulously avoids any worship at the shrine of art: the result, thankfully, is highly entertaining.Pub Date: June 21, 2001
ISBN: 0-8050-6670-5
Page Count: 256
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2001
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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