by Maximiliano Febles ‧ RELEASE DATE: July 29, 2015
A well-crafted dramatization of the tragedy of the Cuban Revolution.
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In this debut novel, a college professor prepares to escape a tyrannical government on the eve of the Cuban Communist revolution.
Arsenio Buendia grew up poor and lost his mother at an early age, but he now enjoys a prosperous life with a beautiful wife and three children that fills him with pride and gratitude. He teaches political science at Havana University; he’s known for being an intellectually demanding taskmaster, but he’s also popular with his students because he’s unencumbered by ossified ideology. However, he frets that his idyllic life is threatened by volatile political forces engulfing his native Cuba. There have always been radical elements within the academy—his boisterous colleague, Adolfo, for example, is a Communist sympathizer who’s more than happy to indoctrinate (and sometimes seduce) his students. But the tenor of the streets is starting to palpably change, and one evening, while Arsenio is out with his wife, young leftist radicals dressed in militant garb storm the nightclub where they’re dining and threateningly demand money from the patrons. Stung by what he interprets as his country’s impending collapse into tyranny, Arsenio begins to plan his family’s escape to New York City. His brother, Guillermo, though, is arrested on trumped-up charges of counterrevolutionary activities, and his maid, Ofelia, gives birth to a new child, forcing Arsenio to alter his plans. Now he wants to send his family to New York in advance, but he faces considerable danger at home as Fidel Castro comes into power. Febles, whose own parents fled Cuba in 1962, paints a vivid picture of creeping political instability. The plot moves from small flickers of threat to a consuming conflagration. Sometimes, though, the tension unfolds too leisurely, and a subplot involving an accident congests an already packed tale. Also, the author’s own philosophical attachments, which he candidly expresses in an introduction, are reflected in the overly didactic dialogue. For instance, a college student sings a wringing paean to liberal democracy during a classroom debate, recounted in extraordinary detail: “Paine’s Common Sense and Rousseau’s Social Contract paved the way for a world free from tyranny, where the oppressed would gain victory over bloodthirsty despots, and now you are asking our people, a free people, to willingly subject themselvesh [sic] to the shackles of a communist society?” Overall, though, this insider’s peek into a nation’s unraveling is both gripping and historically astute.
A well-crafted dramatization of the tragedy of the Cuban Revolution.Pub Date: July 29, 2015
ISBN: 978-1-4787-6063-4
Page Count: 240
Publisher: Outskirts Press Inc.
Review Posted Online: May 20, 2016
Kirkus Reviews Issue: June 15, 2016
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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