Nine-year-old Meena Kumar's cheeky narrative of her life as the only Punjabi girl in a small English village unfolds through wonderfully evocative description. Tollington, a once-thriving Midlands mining village, is, in the early '70s, on the decline. When the mines shut down, the men are idled while the town's suddenly assertive women form the Ballbearings Committee, a name to designate their employment at the local factory (among other things). A highway threatens to take away part of the village, the grammar school is closing down, skinheads are beginning to loiter in the kiddie park, and suburban sprawl is inching closer. These ominous changes form the background of the inventive Meena's life. She is alternately amused and embarrassed by her family and idolizes the roughest, brassiest girl in town, Anita Rutter. Meena is, much to her parents' chagrin, no angel: She lies, commits minor thefts, and has the bad habit of making vulgar remarks when her prim and proper aunties are around. Each small incident that Meena tells about leads to an arsenal of vividly described related anecdotes before the linear narrative is finally regained, a process that forms an endearing, richly three- dimensional picture of Meena and her family. Meanwhile, the story of the girl's relationship with Anita nicely illuminates the difficult, unspoken politics of childhood friendship. The two girls lead a gang, bully others, and engage in exuberant antics even though, in an increasingly poor and tense England, there is always an ominous undercurrent to events. Anita's black poodle is named ``Nigger,'' a local Indian bank manager is the victim of a racial attack, and Meena's secret love becomes a boot-stomping skinhead. Meena's loss of innocence, and her recognition of her heritage, coincides with her realization that her seemingly harmonious village also harbors violence, hatred, and fear. Syal handles all of this with an expert hand. Far from just another coming-of-age saga, Syal's impressive debut offers a charming yet troubling evocation of recent times.
Pub Date: April 1, 1997
ISBN: 1-56584-372-X
Page Count: 336
Publisher: The New Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1997
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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