More than a straight-up police procedural, this tale gives readers the excitement of the chase while taking them deep into...
The adventures of Detective Jack Bailey continue as he and his partner run down clues in pursuit of a serial killer on the loose in Chicago in this sequel.
As in the first installment of the Bailey series, the past is always looming in this tale. The police detective’s PTSD both colors his interpretation of events and is affected by them. The trail begins when Sister Anne Celeste, a beloved elderly nun, is found strangled in her room with no sign of forced entry or struggle. Bailey and his young, college-educated partner, Karl “Sherk” Sherkenbach, complement each other, focusing on different clues and approaching witnesses in their own ways. But all the while, they are tossing jokes over each other’s heads, with Sherk favoring literary references and Bailey, old cultural allusions (“We’re about at Abbott’s place. Wonder if Costello’s there”). Since the nun served during the tenure of a priest accused of child molestation, they wonder if there is a connection. Their suspicions are confirmed when the second and third victims are suspected pedophiles. But the plot does not run in a straight line. There are many twists, some quite significant, as well as numerous subplots dealing with Bailey’s and Sherk’s personal lives, their ambivalence about hunting someone ridding the world of pedophiles, their attitudes toward the job, and even their finances. In many ways, Bailey is your typical fictional police detective. He lives alone; remains cynical and irritable; thrives on junk food; drinks too much; and answers to the requisite pain-in-the-neck boss. But Lelvis (Bailey’s Law, 2016) skillfully fleshes out what could have been a mere stereotype into a vibrant, living, breathing human being. She does this subtly with all her characters, assembling them brick by brick while simultaneously building plot tension through hints and innuendoes that are slowly revealed naturally as the story unfolds. Even the killer is no one-dimensional bogeyman but an empathetic individual developed through chapters devoted to him.
More than a straight-up police procedural, this tale gives readers the excitement of the chase while taking them deep into the psyches of its diverse characters.Pub Date: April 19, 2018
ISBN: 978-1-68433-009-6
Page Count: 244
Publisher: Black Rose Writing
Review Posted Online: Feb. 16, 2018
Review Program: Kirkus Indie
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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