A brisk portrayal of a frightening dystopian future.
Grace and Hayden face separation and war between the camps.
The tale launches where Anarchy (2019) left off, with Grace suffering a broken rib from the latest supply raid. As their relationship deepens, Hayden comes to realize that the greatest act of love he can give Grace is forcefully returning her to her family at camp Greystone, that of his greatest enemies. Upon his so doing, Grace is heartbroken by what she perceives as Hayden’s lack of love for her. She quickly discerns that her family is about to launch an all-out war, a complete takeover of Hayden’s Blackwing, because the raid-and-be-raided construct is no longer sustainable. What few resources were left after the War for Life are now all but depleted, so the fewer people the better. In this sequel, DeVos includes far fewer descriptive sex frolics and instead engages in plot development and tension building. Particularly vivid is the scene when they raid the Armoury that holds—hidden and guarded—the last of the destroyed city’s supplies. Here, as they try to get in and out as quickly as possible, they come across a gruesome warning to potential thieves. The bonus chapter provides emotive context that the first installment lacked and the sad vision that, given the scarcity of resources, history might be doomed to repeat itself. All characters appear to be white.
A brisk portrayal of a frightening dystopian future. (Dystopian romance. 15-18)Pub Date: April 2, 2019
ISBN: 978-1-4091-8386-0
Page Count: 384
Publisher: Orion/Trafalgar
Review Posted Online: Jan. 13, 2019
Kirkus Reviews Issue: Feb. 1, 2019
BOOK REVIEW
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Green seamlessly bridges the gap between the present and the existential, and readers will need more than one box of tissues...
He’s in remission from the osteosarcoma that took one of his legs. She’s fighting the brown fluid in her lungs caused by tumors. Both know that their time is limited.
Sparks fly when Hazel Grace Lancaster spies Augustus “Gus” Waters checking her out across the room in a group-therapy session for teens living with cancer. He’s a gorgeous, confident, intelligent amputee who always loses video games because he tries to save everyone. She’s smart, snarky and 16; she goes to community college and jokingly calls Peter Van Houten, the author of her favorite book, An Imperial Affliction, her only friend besides her parents. He asks her over, and they swap novels. He agrees to read the Van Houten and she agrees to read his—based on his favorite bloodbath-filled video game. The two become connected at the hip, and what follows is a smartly crafted intellectual explosion of a romance. From their trip to Amsterdam to meet the reclusive Van Houten to their hilariously flirty repartee, readers will swoon on nearly every page. Green’s signature style shines: His carefully structured dialogue and razor-sharp characters brim with genuine intellect, humor and desire. He takes on Big Questions that might feel heavy-handed in the words of any other author: What do oblivion and living mean? Then he deftly parries them with humor: “My nostalgia is so extreme that I am capable of missing a swing my butt never actually touched.” Dog-earing of pages will no doubt ensue.
Green seamlessly bridges the gap between the present and the existential, and readers will need more than one box of tissues to make it through Hazel and Gus’ poignant journey. (Fiction. 15 & up)Pub Date: Jan. 10, 2012
ISBN: 978-0-525-47881-2
Page Count: 272
Publisher: Dutton
Review Posted Online: Jan. 9, 2012
Kirkus Reviews Issue: Jan. 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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