A bargain, a fake engagement, gambling, and mythology are combined in the fifth Hazards of Dukes romance.
Octavia Holton, part owner of a gambling house in London, has a debt to pay, so when she learns her estranged father has died, she travels from London to the countryside to sell his house. She and her sister, Ivy, left years ago after their father nearly gambled them away as future brides. Despite this, Octavia is certain he would have left them the house, so she’s shocked when she arrives and finds a naked man in the pond. Gabriel Fallon, a scholar of Greek mythology, claims he is the rightful owner of the house because her father lost it to his father in a card game or a roll of the dice. Gabriel agrees to give Octavia one month to search for any documents that might prove otherwise. In the meantime, the pair will live in, and fix up, the long-neglected house, pretending they are engaged. A household staff of locals moves in, and soon they all start to feel like a family. Octavia and Gabriel know they should see each other as opponents, but their attraction is undeniable from the start. As the bargain’s end draws near, neither wants to let go. The way mythology, particularly the tale of Hades and Persephone, is woven into this sizzling romance is delightful, and the characters are captivating. Octavia is like a breath of fresh air. She’s spontaneous, outspoken, and sometimes selfish. She grows throughout the novel, but Gabriel loves her for exactly who she is right from the beginning. There is respect and admiration throughout, even when the two disagree and frustrate each other. The conflict keeping them apart—not seeing how they could fit their lives together—feels realistic for these adeptly crafted characters.
An easy, trope-y romance that feels original and entirely winsome.Pub Date: June 28, 2022
ISBN: 978-0-06-302312-3
Page Count: 368
Publisher: Avon/HarperCollins
Review Posted Online: April 27, 2022
Kirkus Reviews Issue: May 15, 2022
Categories: HISTORICAL FICTION | ROMANCE | HISTORICAL ROMANCE | GENERAL ROMANCE
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Miller makes Homer pertinent to women facing 21st-century monsters.
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A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 23, 2018
Kirkus Reviews Issue: Feb. 1, 2018
Categories: LITERARY FICTION | HISTORICAL FICTION
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PROFILES
A retelling of Pinocchio from Geppetto's point of view.
The novel purports to be the memoirs of Geppetto, a carpenter from the town of Collodi, written in the belly of a vast fish that has swallowed him. Fortunately for Geppetto, the fish has also engulfed a ship, and its supplies—fresh water, candles, hardtack, captain’s logbook, ink—are what keep the Swallowed Man going. (Collodi is, of course, the name of the author of the original Pinocchio.) A misfit whose loneliness is equaled only by his drive to make art, Geppetto scours his surroundings for supplies, crafting sculptures out of pieces of the ship’s wood, softened hardtack, mussel shells, and his own hair, half hoping and half fearing to create a companion once again that will come to life. He befriends a crab that lives all too briefly in his beard, then mourns when “she” dies. Alone in the dark, he broods over his past, reflecting on his strained relationship with his father and his harsh treatment of his own “son”—Pinocchio, the wooden puppet that somehow came to life. In true Carey fashion, the author illustrates the novel with his own images of his protagonist’s art: sketches of Pinocchio, of woodworking tools, of the women Geppetto loved; photos of driftwood, of tintypes, of a sculpted self-portrait with seaweed hair. For all its humor, the novel is dark and claustrophobic, and its true subject is the responsibilities of creators. Remembering the first time he heard of the sea monster that was to swallow him, Geppetto wonders if the monster is somehow connected to Pinocchio: “The unnatural child had so thrown the world off-balance that it must be righted at any cost, and perhaps the only thing with the power to right it was a gigantic sea monster, born—I began to suppose this—just after I cracked the world by making a wooden person.” Later, contemplating his self-portrait bust, Geppetto asks, “Monster of the deep. Am I, then, the monster? Do I nightmare myself?”
A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.Pub Date: Jan. 26, 2021
ISBN: 978-0-593-18887-3
Page Count: 208
Publisher: Riverhead
Review Posted Online: Sept. 30, 2020
Kirkus Reviews Issue: Oct. 15, 2020
Categories: HISTORICAL FICTION | LITERARY FICTION | FANTASY
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