by Megan Kate Nelson ‧ RELEASE DATE: Feb. 11, 2020
A useful survey for readers interested in the Civil War in its short-lived southwestern theater.
The fight between North and South comes West.
Nelson’s (Ruin Nation: Destruction and the American Civil War, 2012, etc.) cast of characters reads like a John Ford film cast, featuring Mangas Coloradas, Kit Carson, and, in a cameo appearance, Geronimo. Added to it are lesser known figures such as John Baylor, a Texas rancher who became a Confederate, and James Henry Carleton, an agile foe on the Union side. The setting is New Mexico Territory, with a breakaway Arizona in favor of slavery and a nearby California founded as a free state. At the beginning of the Civil War, Baylor, writes the author, “became the first Confederate to lead a successful invasion of Union territory in the Civil War.” He captured a Union fort and threatened others before being relieved of command, in part because he had issued a no-quarter call against “renegade” Apaches. The Union Army eventually gained supremacy in the field with the arrival of columns from California and Colorado and victories in fights with Confederate forces, but federal forces then continued the war against the Apaches and Navajos to make the “three-cornered war” of which Nelson writes. That war took savage turns with the murder of Apache leader Mangas Coloradas, whose head was removed by a Union surgeon and boiled in a large kettle until “nothing but the skull was left.” It was a gruesome souvenir but not the only atrocity of the campaign. The war in New Mexico did not last long, with a “multiracial army of Union soldiers” composed of Hispanic New Mexicans and newcomer Anglos placing the territory firmly under Northern control by 1862. Nelson is a touch florid at times (“their stories reveal how the imagined future of the West shaped the Civil War, and how the Civil War became a defining moment in the West”), and most elements of her story are well known to students of the history of the American West. She does a good job of setting them in a coherent, if never particularly rousing narrative.
A useful survey for readers interested in the Civil War in its short-lived southwestern theater.Pub Date: Feb. 11, 2020
ISBN: 978-1-5011-5254-2
Page Count: 368
Publisher: Scribner
Review Posted Online: Oct. 22, 2019
Kirkus Reviews Issue: Nov. 15, 2019
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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