A measured, well-researched winner.
Reid and Freeman celebrate the life of tennis champion Althea Gibson.
Debut author Reid takes readers from 1940s Harlem, where “fleet-of-foot” Althea Gibson is the “quickest, tallest and most fearless athlete,” all the way to 1957, when she becomes the first black player to win the championship at Wimbledon. Readers get to see Gibson’s development from a young athlete, cocksure, assertive, and focused only on winning, to a considerate sportswoman in a league of her own, paving the way for generations of young tennis players coming after her. Framing transitional moments in Gibson’s life in medallions, Freeman’s somewhat static illustrations encourage the narrative along, keeping pace with the text. The clever placement of Gibson’s form playing tennis on top of maps or with the globe represents the reach of her influence across the U.S. and the world. Other double-page spreads emphasize the enormity of the difficulties, specifically racism, Gibson faced while pursuing her dreams. One levels a “WHITES ONLY” sign on one page ever so slightly below Gibson’s determined gaze on the other. An author’s note fills in more historical and personal context for Gibson’s early and later life, and a timeline of important dates with a short bibliography of recommended texts rounds out the exploration of Gibson’s remarkable rise to tennis stardom.
A measured, well-researched winner. (Picture book/biography. 6-12)Pub Date: Jan. 21, 2020
ISBN: 978-0-06-285109-3
Page Count: 40
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 26, 2019
Kirkus Reviews Issue: Dec. 1, 2019
BOOK REVIEW
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
Blandly laudatory.
The iconic animator introduces young readers to each “happy place” in his life.
The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.
Blandly laudatory. (bibliography) (Picture book/biography. 6-8)Pub Date: Sept. 10, 2019
ISBN: 978-0-7352-2875-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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