The Ritz itself is the most well-rounded character here.
An American ex-flapper and a Parisian hotelier weather the German takeover of the Paris Ritz.
Benjamin’s new novel is a lively portrait of the opulent grand hotel which drew Picasso, Hemingway, Cole Porter—and Hermann Göring. In fact, more than a year before June 14, 1940, when invading Germans marched down the Champs Elysees, Göring and others were visiting Paris hotels to vet future Nazi headquarters. As the Occupation wears on, hotel director Claude Auzello and his American wife, Blanche, find it increasingly difficult to maintain their facade as the happily married team who run the Ritz. Their relationship was already challenged by Claude’s announcement that he had reserved Thursday nights for his mistress. In his insistence that infidelity is a French male privilege, Claude can be insufferable, and Blanche, over the years, has been known to desert him, temporarily. On one such escapade, she befriends Lily, a young radical who goes off to fight in the Spanish Civil War before returning to Paris to draw Blanche into the Resistance. Blanche is disappointed by Claude’s apparent willingness to toady to the Nazis who have become the Ritz’s most privileged guests (along with a certain high-profile collaboratrice, Coco Chanel). The narrative ricochets between the 1920s, when the couple met, and the novel’s present: the Occupation and its antecedents. Thanks to alternating points of view, readers are mostly privy to the secrets Blanche and Claude keep from one another. However, the delay in revealing the most critical secret of all, far from enhancing suspense, hamstrings the full exposition of Blanche as a character. The Auzellos were real people, and the facts of their lives are only a Google away. As Benjamin points out in her author’s note, the Auzellos’ story, though captivating, has not been often told, and the record is sparse. Benjamin hews closely to what is known, but the fully realized humanity of the Auzellos gets lost in the unknown—the realm where novelistic imagination is required.
The Ritz itself is the most well-rounded character here.Pub Date: May 21, 2019
ISBN: 978-0-399-18224-2
Page Count: 384
Publisher: Delacorte
Review Posted Online: March 2, 2019
Kirkus Reviews Issue: March 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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