An inspirational, sharp, and disarmingly humorous account about taekwondo and mental health.
An organizational development consultant battling mental illness finds hope in martial arts training in this debut memoir.
“To be frank: I’m crazy,” declares Gibson in her prologue, “and my biggest challenges have stemmed from what being crazy makes me do.” Raised in Snyder, Texas, the author describes being “turned inward” as a child, experiencing anxiety that gave way to depression. As a teen, she displayed behavior that she now recognizes had the markings of bipolar disorder, but she only began contemplating suicide after starting college. Reluctant to receive counseling, Gibson figured that she could handle her problems on her own. A successful and fiercely independent “career girl,” she only truly reached out at the age of 31, when a romantic hiccup led to an “epic” breakdown. Alongside finding a therapist, Gibson reconnected with the taekwondo grandmaster who oversaw the dojang where she trained as a child. The author recounts her progression to becoming a black belt in a journey that is punctuated by injury and romantic instability. But through taekwondo, Gibson gained the self-understanding to “kick ass” in other parts of her life. The subject matter of this memoir is understandably dark, with the author candidly describing her lowest moments, such as “drinking whiskey for dinner and sobbing incoherently into the phone” to her “worried parents.” Yet this is countered by a stylistic approach that is refreshingly buoyant and self-aware: “In case anyone thinks the white belt months were a 1980s movie montage of me doing push-ups and high kicks and high-fiving other students set to cheesy inspirational music, think again.” Naturally humorous, Gibson is also capable of elegant, emotionally communicative prose: “The lyrical beauty of the movement, the expressive focus, and the mind-body connection of taekwondo seeped into the marrow of my bones.” Some readers may not take to the author’s casual narrative style. At one point, she instructs them unnecessarily to “flip back to Chapter One if you don’t remember,” but this adds to the affability of her writing. Gibson’s sharp-witted, tenacious personality radiates throughout this spirited book, and her determination should prove contagious, spurring readers to discover a pathway through which they can combat mental illness and discover their true selves.
An inspirational, sharp, and disarmingly humorous account about taekwondo and mental health.Pub Date: April 20, 2021
ISBN: 978-1-64742-028-4
Page Count: 280
Publisher: She Writes Press
Review Posted Online: Feb. 3, 2021
Kirkus Reviews Issue: March 15, 2021
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
Spears’ vulnerability shines through as she describes her painful journey from vulnerable girl to empowered woman.
A heartfelt memoir from the pop superstar.
Spears grew up with an alcoholic father, an exacting mother, and a fear of disappointing them both. She also displayed a natural talent for singing and dancing and a strong work ethic. Spears is grateful for the adult professionals who helped her get her start, but the same can’t be said of her peers. When she met Justin Timberlake, also a Mouseketeer on the Disney Channel’s updated Mickey Mouse Club, the two formed an instant bond. Spears describes her teenage feelings for Timberlake as “so in love with him it was pathetic,” and she’s clearly angry about the rumors and breakup that followed. This tumultuous period haunted her for years. Out of many candidates for villains of the book, Timberlake included, perhaps the worst are the careless journalists of the late 1990s and early 2000s, who indulged Timberlake while vilifying Spears. The cycle repeated for years, taking its toll on her mental health. Spears gave birth to sons Sean Preston and Jayden James within two years, and she describes the difficulties they all faced living in the spotlight. The author writes passionately about how custody of her boys and visits with them were held over her head, and she recounts how they were used to coerce her to make decisions that weren’t always in her best interest. As many readers know, conservancy followed, and for 13 years, she toured, held a residency in Las Vegas, and performed—all while supposedly unable to take care of herself, an irony not lost on her. Overall, the book is cathartic, though readers who followed her 2021 trial won’t find many revelations, and many of the other newsworthy items have been widely covered in the run-up to the book’s release.
Spears’ vulnerability shines through as she describes her painful journey from vulnerable girl to empowered woman.Pub Date: Oct. 24, 2023
ISBN: 9781668009048
Page Count: 288
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Oct. 25, 2023
Kirkus Reviews Issue: Dec. 1, 2023
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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