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SO SAD TODAY

PERSONAL ESSAYS

Sordid, compulsively readable entries that lay bare a troubled soul painstakingly on the mend.

Depression, anxiety, panic disorder, and addiction all resonate in this outspoken collection of essays.

Broder’s (Scarecrone, 2014, etc.) collection of 18 provocative essays began in 2012 as a formerly anonymous Twitter account loaded with dark humor and downward mood swings. Since its unmasking, the author now fully embraces the peaks and valleys of her emotional landscape as she attempts to “fill my many insatiable internal holes with external stuff.” Following a cursory glance at her upbringing, where “the religion of the household quickly became food,” Broder admits to chronically chewing her nails and ingesting other bodily products to “find comfort...even in the darkest, most disgusting places.” This graphic depiction of her youthful melancholy suitably sets the tone for the remainder of the essays, mostly overcast with angst yet punctuated with self-deprecating humor. The author lucidly describes her post-collegiate years living in Northern California, “melting down” in a whirlwind of alcohol, drugs, sexual experimentation, and employment in “a Tantric sex nonprofit.” Some sections read like slam poetry, as when Broder ruminates about love, graphic sexting with an online flame, or the things that bring her shame. The answers to an Internet addiction quiz compellingly illuminate her innermost fears of death and rejection. The author digs even deeper as she unveils an odd affinity for nicotine gum, Botox, open marriage, and a fetish for vomit, something she believes taps into the “dark, untouched corners within all of us.” While Effexor played an integral part, readers will also realize that Broder’s tweets were just as instrumental in her sobriety. In these vividly rendered and outspokenly delivered essays, the author admits to being in better shape now than before, and “sending what I was feeling out into the universe” has become the ultimate wellness elixir.

Sordid, compulsively readable entries that lay bare a troubled soul painstakingly on the mend.

Pub Date: March 15, 2016

ISBN: 978-1-4555-6272-5

Page Count: 224

Publisher: Grand Central Publishing

Review Posted Online: Jan. 20, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2015


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  • IndieBound Bestseller


  • Pulitzer Prize Finalist


  • National Book Award Winner

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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