A fascinating tale of obsession and erotic redemption told with black humor and biting insight.

THE PISCES

In Broder’s debut novel, a disaffected academic struggling with a breakup finds love in the arms of a merman.

In the midst of writing a disingenuous dissertation about Sappho, Lucy surprises herself by breaking things off with her longtime boyfriend, Jamie, and spiraling into a depression. Thankfully, Lucy’s sister leaves her Venice Beach house, “a contemporary glass fortress,” for the summer and invites Lucy to level out, attend therapy, and dogsit. Predictably, Lucy is bad at each of these tasks. In group therapy, Lucy silently judges her fellow codependents, who “all blurred together into a multi-headed hydra of desperation,” while plotting how she can get over Jamie by getting under someone else. And while she cares for her sister’s dog, she’s not responsible enough to handle his strict dietary and medical needs, either. When Lucy meets Theo, a mysterious swimmer who haunts Venice Beach by night, she thinks her luck in love might have finally turned around. But what—other than a tail—might Theo be hiding? And who is Lucy willing to neglect in order to find out? On the surface, this audacious novel from Broder (So Sad Today, 2016, etc.) is a frank exploration of desire, fantasy, and sex. But it dives deeper, too, seeking out uncomfortable topics and bringing them into the light: codependency, depression, suicidal ideation, and an existential fascination with the void each get their days in the sun. When we obsess about a breakup, or about all the sex that comes before a breakup, what are we actually obsessing over? “I didn’t know if the universe actively taught lessons,” Lucy thinks during her affair with Theo. “But if it did, the lesson was that I could not handle what I thought I could handle.” Broder has created a voice at once intimate and sharp, familiar and ugly. Lucy dares you to recognize your thoughts, fantasies, and obsessions in her own even as she makes questionable choices in life and love. This isn’t just a novel about navigating the dangers of codependency, but an attempt to learn how we all might love better in a culture that pushes even its strongest women to the brink of self-destruction.

A fascinating tale of obsession and erotic redemption told with black humor and biting insight.

Pub Date: May 1, 2018

ISBN: 978-1-5247-6155-4

Page Count: 288

Publisher: Hogarth/Crown

Review Posted Online: March 5, 2018

Kirkus Reviews Issue: March 15, 2018

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THE COLDEST WINTER EVER

Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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