A fascinating tale of obsession and erotic redemption told with black humor and biting insight.
In Broder’s debut novel, a disaffected academic struggling with a breakup finds love in the arms of a merman.
In the midst of writing a disingenuous dissertation about Sappho, Lucy surprises herself by breaking things off with her longtime boyfriend, Jamie, and spiraling into a depression. Thankfully, Lucy’s sister leaves her Venice Beach house, “a contemporary glass fortress,” for the summer and invites Lucy to level out, attend therapy, and dogsit. Predictably, Lucy is bad at each of these tasks. In group therapy, Lucy silently judges her fellow codependents, who “all blurred together into a multi-headed hydra of desperation,” while plotting how she can get over Jamie by getting under someone else. And while she cares for her sister’s dog, she’s not responsible enough to handle his strict dietary and medical needs, either. When Lucy meets Theo, a mysterious swimmer who haunts Venice Beach by night, she thinks her luck in love might have finally turned around. But what—other than a tail—might Theo be hiding? And who is Lucy willing to neglect in order to find out? On the surface, this audacious novel from Broder (So Sad Today, 2016, etc.) is a frank exploration of desire, fantasy, and sex. But it dives deeper, too, seeking out uncomfortable topics and bringing them into the light: codependency, depression, suicidal ideation, and an existential fascination with the void each get their days in the sun. When we obsess about a breakup, or about all the sex that comes before a breakup, what are we actually obsessing over? “I didn’t know if the universe actively taught lessons,” Lucy thinks during her affair with Theo. “But if it did, the lesson was that I could not handle what I thought I could handle.” Broder has created a voice at once intimate and sharp, familiar and ugly. Lucy dares you to recognize your thoughts, fantasies, and obsessions in her own even as she makes questionable choices in life and love. This isn’t just a novel about navigating the dangers of codependency, but an attempt to learn how we all might love better in a culture that pushes even its strongest women to the brink of self-destruction.
A fascinating tale of obsession and erotic redemption told with black humor and biting insight.Pub Date: May 1, 2018
ISBN: 978-1-5247-6155-4
Page Count: 288
Publisher: Hogarth
Review Posted Online: March 4, 2018
Kirkus Reviews Issue: March 15, 2018
PROFILES
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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