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THE PISCES

A fascinating tale of obsession and erotic redemption told with black humor and biting insight.

In Broder’s debut novel, a disaffected academic struggling with a breakup finds love in the arms of a merman.

In the midst of writing a disingenuous dissertation about Sappho, Lucy surprises herself by breaking things off with her longtime boyfriend, Jamie, and spiraling into a depression. Thankfully, Lucy’s sister leaves her Venice Beach house, “a contemporary glass fortress,” for the summer and invites Lucy to level out, attend therapy, and dogsit. Predictably, Lucy is bad at each of these tasks. In group therapy, Lucy silently judges her fellow codependents, who “all blurred together into a multi-headed hydra of desperation,” while plotting how she can get over Jamie by getting under someone else. And while she cares for her sister’s dog, she’s not responsible enough to handle his strict dietary and medical needs, either. When Lucy meets Theo, a mysterious swimmer who haunts Venice Beach by night, she thinks her luck in love might have finally turned around. But what—other than a tail—might Theo be hiding? And who is Lucy willing to neglect in order to find out? On the surface, this audacious novel from Broder (So Sad Today, 2016, etc.) is a frank exploration of desire, fantasy, and sex. But it dives deeper, too, seeking out uncomfortable topics and bringing them into the light: codependency, depression, suicidal ideation, and an existential fascination with the void each get their days in the sun. When we obsess about a breakup, or about all the sex that comes before a breakup, what are we actually obsessing over? “I didn’t know if the universe actively taught lessons,” Lucy thinks during her affair with Theo. “But if it did, the lesson was that I could not handle what I thought I could handle.” Broder has created a voice at once intimate and sharp, familiar and ugly. Lucy dares you to recognize your thoughts, fantasies, and obsessions in her own even as she makes questionable choices in life and love. This isn’t just a novel about navigating the dangers of codependency, but an attempt to learn how we all might love better in a culture that pushes even its strongest women to the brink of self-destruction.

A fascinating tale of obsession and erotic redemption told with black humor and biting insight.

Pub Date: May 1, 2018

ISBN: 978-1-5247-6155-4

Page Count: 288

Publisher: Hogarth

Review Posted Online: March 4, 2018

Kirkus Reviews Issue: March 15, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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