A dark, powerful novel traces the trajectory of a murder victim’s life.
A moving but disturbing novel tells the story of a young woman’s descent into addiction and sexual violence.
This impressive debut novel opens with a gruesome murder, then moves back in time to recount how the lives of a “throwaway” young woman and a serial killer intersected. Chadburn builds her story around a real case, that of Vancouver pig farmer Willie Pickton, who confessed to having killed 49 women, many of them Indigenous and/or sex workers, over two decades before his arrest in 2002. The novel’s fictional main character is Marina Salles, who, at age 18 becomes both Pickton's last victim and his avenger thanks to an aswang, a supernatural creature from the folklore of the Philippines (who’s also an occasional narrator). Marina’s grandmother is Filipina, and she provides a warm household in central California during the girl’s childhood in the 1980s. But when Mutya, Marina’s restless, self-centered mother, moves to Los Angeles with a boyfriend, Marina in tow, their lives begin to unravel. The boyfriend bails, and Mutya’s addictions lead her to sex work; one night when Marina is 13, she brings the girl with her to a party, with disastrous results. Marina finds herself in foster care, cut off from both mother and grandmother and trying to figure out the harsh rules of her new environment. The foster facility she’s in turns out to be a training ground for drug use and sex work. While there, she falls in love with Alex, another girl, but their relationship is a short moment of sweetness in Marina’s journey to her fate. Chadburn’s prose is sometimes lovely, always compelling, and she handles multiple storylines skillfully. Marina is engaging and heartbreaking, and other characters are vividly portrayed as well—including Pickton. The novel is a relentless revelation of the everyday exploitation of girls and women, but readers should be aware that it describes rape and other forms of violence in horrific detail, over and over.
A dark, powerful novel traces the trajectory of a murder victim’s life.Pub Date: April 12, 2022
ISBN: 978-0-3742-7775-8
Page Count: 352
Publisher: Farrar, Straus and Giroux
Review Posted Online: Feb. 4, 2022
Kirkus Reviews Issue: March 1, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Great crime fiction.
An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.
In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”
Great crime fiction.Pub Date: March 31, 2026
ISBN: 9780593493465
Page Count: 496
Publisher: Viking
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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