Amazing but true: the major upheavals in Soviet-American policy from the Cuban missile crisis to the abortive coup against Gorbachev were all sparked by a monstrous sibling rivalry between two half- brothers, raised half a world apart. The boys are both sons of Soviet-Jewish poet Tanya Gordon, doomed by her membership in an anti-fascist group and by Stalin's relentless anti-Semitism. To save the life of her son Alex, she abandons her condemned husband, poet Victor Wolf, and marries KGB Col. Boris Morozov, who has time to father another son, Dimitri, before Tanya and then Morozov himself are liquidated. Responding to Tanya's dying wish, Morozov sends Alex to Brooklyn to grow up with Tanya's sister Nina Kramer. After endless crosscutting between scenes from the boys' adolescence—Alex is tormented by kids who call his aunt a Red; Dimitri kills a bully who threatens to unmask him as a traitor's son; Alex enrolls in the Sovietology program at Brown; Dimitri trains for the KGB—the two are ready for their momentous collision: CIA agent Franco Grimaldi, eager to recruit Alex, allows Dimitri to find out where he is and lure him to Paris for a meeting; when Dimitri's recalled to Russia, Alex promptly takes his place with his lover Tatiana Romanov; Dimitri finds out and vows revenge; Grimaldi leaks the runaway lovers' location to Dimitri and stands back while Dimitri strangles Tatiana. There's lots more intrigue to come—in fact, ``Afghanistan, Poland, and Star Wars were for [Dimitri] nothing but pawns in...the deadly game he played against his brother''—as Alex and Dimitri keep looking for new ways to kill, maim, or annoy each other, leaving their messy footprints all over foreign policy until the final, ill-advised twist. Former Knesset member Ben-Zohar (The Deadly Document, 1980, etc.), who ought to know better, has written an entertaining, deliriously overscaled, deeply irresponsible spy-soaper. Ah, well, boys will be boys.

Pub Date: May 1, 1993

ISBN: 0-449-90511-X

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1993

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There are unforgettable beauties in this very sexy story.


Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 20, 2018

Kirkus Reviews Issue: April 1, 2018

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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