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THE LAST KING

Solid fun: a good, old-fashioned adventure tale with plenty of action and no narrative frills.

Continuing his fictional stroll through classical history, Ford (Gods and Legions, 2002, etc.) provides a swashbuckling account of the exploits of Mithradates the Great, King of Pontus and scourge of ancient Rome.

Although he never quite became a household name like Alexander the Great, Mithradates (115–63 b.c.) deserves to be remembered in the company of that noble Greek, who set the pattern for every conqueror-statesman from Xerxes to Napoleon. A Persian, Mithradates grew up in the thoroughly Hellenized court of Pontus on the Black Sea, where the veneer of Greek civilization masked the brutality of Asiatic despotism. Under the rule of his weak mother, Queen Laodice, Pontus had become a vassal state of Rome, militarily impotent and economically subservient. The young Mithradates, not content in his role as heir apparent to a puppet throne, fled the palace and lived for seven years in the wilds of Pontus and Cappadocia, eventually returning at the head of an outlaw army to occupy the capital and depose his mother. As if that weren’t enough strife for one family, he then proceeded to marry his younger sister, who despised him but bore him one son before he killed her for plotting against his life. He then marauded through Cappadocia and Bythinia, gradually extending the sway of his rule until he became a threat to Rome itself. Over the course of some 20 years (88-66 b.c.), Mithradates was Public Enemy Number One as far as the Senate was concerned, and he proved astonishingly capable of rebounding from defeats at the hands of superior forces to recoup his losses with a vengeance, eventually conquering the whole of Asia Minor. Even after he met his match in the Roman general Pompey, Mithradates was able to get the last word in: He asked one of his own men to kill him, thus evading capture and execution.

Solid fun: a good, old-fashioned adventure tale with plenty of action and no narrative frills.

Pub Date: March 15, 2004

ISBN: 0-312-27539-0

Page Count: 400

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2003

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WE WERE THE LUCKY ONES

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Hunter’s debut novel tracks the experiences of her family members during the Holocaust.

Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Pub Date: Feb. 14, 2017

ISBN: 978-0-399-56308-9

Page Count: 416

Publisher: Viking

Review Posted Online: Nov. 21, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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