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THINGS THAT MUST NOT BE FORGOTTEN

A CHILDHOOD IN WARTIME CHINA

A lively account, filled with the vivid details of daily and family life that make the best memoirs evocative portraits of...

Luminous recollections of a lost world, from an Anglo-Chinese writer who recounts how his privileged and sheltered childhood turned into a dangerous adolescence in war-torn China.

Born in 1934, Kwan was the youngest son of a Swiss woman who married into a Chinese family that traced its lineage back to the Han dynasty. The author’s Cambridge-educated father was administrator of China’s national railways system, and Kwan draws on his progenitor’s writings as well as his own memories in his memoir. Early childhood was idyllic: a warm-hearted nanny took care of him in a house in Beijing filled with beautiful objects, cared for by numerous servants, and the site of elegant parties. When his mother, who mostly ignored him, ran off with another man, Kwan left Beijing to live with a lively Anglo-Chinese family, the Findlay-Wus. As he adjusted to the new household, Japan invaded and occupied large parts of China, sparing only the areas where Europeans lived. After Kwan’s father married Mrs. Findlay-Wu’s sister, Kwan moved back to Beijing and started school, but the war increasingly intruded—especially after Pearl Harbor, when Kwan watched as the Japanese took away his American and British school friends with their parents. Kwan describes the family’s move to Quingdao, lonely school days during which he was reviled for being a half-caste (the Europeans and Chinese were equally racist), the civil war that broke out as Japan was defeated, the arrest of his father (now an intelligence officer), and the family’s ensuing privations. As the Communists gained control, an older stepbrother arranged for Kwan to leave China and go to school in Hong Kong. He would not return until 1987. Permitting himself the latitude usually granted to chroniclers of childhood, the author recalls numerous seemingly verbatim conversations, but these enrich an always absorbing narrative.

A lively account, filled with the vivid details of daily and family life that make the best memoirs evocative portraits of their peoples and their times.

Pub Date: May 10, 2001

ISBN: 1-56947-248-3

Page Count: 248

Publisher: Soho

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2001

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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