Wry, sharp, charming, resistant to neat closures and easy turns—a debut of enormous promise.
The witty, fiercely intelligent story of a young alcoholic in the fragile early days of sobriety, suspended between addiction and whatever life might come next—the shape of which he can’t yet see.
Twenty-six-year-old Dennis Monk, just months sober, gets the boot from his parents’ suburban Philadelphia home and begins what will be, over the novel’s episodic chapters, a half-year odyssey as the serial houseguest of relatives, old flames, and running buddies from high school and college. Dennis jumps from makeshift situation to awkward makeshift situation (pushed-together couches he hopes won’t get sold out from under him, cots in basements alongside washing machines) all over a rapidly gentrifying Philadelphia filled with his only-marginally-less-lost peers. Sometimes he’s a freeloader; sometimes he earns his keep, sort of, through errands not always handled successfully, projects he can fake his way through, or fitful employment. Dennis is nimble-tongued and keenly observant, and the book offers all sorts of humorous delights. Yet the reader quickly sees, too, that irony is Dennis’ protective coloration, that his wit is anxious and self-preserving. He may not be a gentrifier, but he is a kind of hipster who, like his coevals, simply wants to cobble together, from the unpromising materials available, an identity he can live in. Beneath the world weariness and sarcasm we get glimpses (for instance, in the bit-by-bit-revealed story of a friend who died from drinking) of a sweetness and vulnerability, even a fragile hopefulness, that Dennis is at pains to hide and resist. This is less a traditional novel than a linked collection of stories, a serial picaresque, but ultimately that approach feels like the right one for a book about navigating—or maybe just drifting through, in search of some useful piece of flotsam to grab hold of—a limbo of one’s own making. As a starting point for a new life, “non-drinker” is a necessary condition...but by itself that datum doesn’t get one very far. The book ends with Dennis, one year sober, on the verge of—well, who knows what, but verges beat sloughs every day.
Wry, sharp, charming, resistant to neat closures and easy turns—a debut of enormous promise.Pub Date: May 7, 2024
ISBN: 9781662602245
Page Count: 272
Publisher: Astra House
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: April 15, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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