Tends to meander but delivers flashes of violence that will satisfy action fans.
In Fields’ (Twin River II, 2014) latest thriller, security agent Wesley Palladin settles down and criminal forces prepare to further exploit innocent lives.
It’s 1980 in rural Pennsylvania where the Juniata and the Little Juniata rivers flow. On the Calvin property, in Polecat Hollow, pornographers Luther Cicconi and Max Wright keep high school teens Heather Wainwright and Alice Byrd prisoner in Winnebagos for later filming. Though wild pigs protect the property, the group hopes for backup muscle from Philadelphia mobster Don Scavone. Elsewhere in Polecat Hollow, high school sophomore Matt Henry has hired the security firm Have Weapons Will Travel for his father’s bank (see Twin River II), but Wesley Palladin confronts evil wherever he finds it and is more than willing to step in. Cicconi knows that the formidable Palladin—and his battle-ready friend, Vietnam veteran Gene Brooks—threatens his interests. Meanwhile, with Matt’s father supposedly on vacation, Palladin has moved into the Henrys’ guesthouse with Jane Romano, who’s hiding from her mobster husband, Caesar. To help Jane’s son Cody fit in, Matt tells him about the One Thousand Steps mountain trail that leads to the Virgin Heart lovers’ hideaway. There, couples can bless their future together. Yet for others, like the pregnant Becky, who’s stalked by the insane Abel Towers, the One Thousand Steps can mean doom. In the third outing to Twin River, Fields re-emphasizes the area’s signature eeriness with lines like, “Branches dropped low and pierced naked fingers through the mist.” Series motifs recur, including references to Catcher in the Rye and the traumas seen during the Vietnam War. Amid wandering plotlines, the author often inserts scenes of scantily clad girls rescued by vigilante gunfire, and fans of raw 1970s narratives (Deliverance and Straw Dogs) will find much to cheer. Occasionally, the prose offers humor (one gangster says, “I’ll kill you until it hurts”) and life lessons; Palladin tells Cody, “If everything’s given to you, you’ll be a spoiled teenager the rest of your life.” The finale brings brief closure while setting up the next installment.
Tends to meander but delivers flashes of violence that will satisfy action fans.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Dog Ear Publisher
Review Posted Online: Dec. 19, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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