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MY FATHER'S FORTUNE

A LIFE

A consistently understated, mostly engrossing read.

A British novelist and playwright’s memoir about growing up with a near-deaf, roofing-salesman father.

Although it takes a few chapters for the narrative to gain its footing, this finely detailed remembrance displays subtle wit and powers of perception that magnify every nook and cranny of ordinary life into something extraordinary. Frayn (Travels with a Typewriter: A Reporter at Large, 2009, etc.) begins with his hearing-impaired father’s marriage in the late 1930s. By the time children materialize, the Frayn family has moved from gritty North London to the leafier outland of Ewell, 12 miles outside the city. Frayn’s father pursued the same middle-class suburban dreams of many families at the time, when a respectable suburban home could be purchased for less than £1,000. As the book gains steam, it’s tough to judge whether the author has photographic mental recall, or if his attentiveness to detail can be attributed to a particularly imaginative sense of historical embellishment. Whatever the case, Frayn evokes the sights, sounds and smells of his boyhood as if it had all taken place yesterday. The author’s prose particularly shines when he conjures the dread of V-2 bombings over London during the Blitz. Frayn’s dry, Orwellian sense of humor doesn’t creep into the narrative until he describes the specific ways in which he failed to live up to his father’s hopes for an athletically inclined child—the young author was physically awkward and “slow witted” and didn’t embrace conventional sport until much later in life. As the memoir progresses into Frayn’s adolescent years, the emphasis subtly shifts to his own exploits as a junior intellectual and culture snob. His father’s “fortune,” as one might expect, turns out to be much more important than the kind of inheritance found in a retirement account.

A consistently understated, mostly engrossing read.

Pub Date: March 1, 2011

ISBN: 978-0-8050-9377-3

Page Count: 224

Publisher: Metropolitan/Henry Holt

Review Posted Online: Nov. 15, 2010

Kirkus Reviews Issue: Dec. 1, 2010

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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